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Wednesday, September 29, 2010

The Vancouver Board of Trade Lunch & Presentation by James Wright



James Wright, General Director of Vancouver Opera shares proven strategies behind VO’s marketing initiatives, reveals the motivation behind mounting high-risk productions in recessionary times, and previews Lillian Alling.

"Beyond the Scenes: The business of marketing the arts in turbulent times"
Thursday, October 14th @ 11:45 – 2:00PM
Renaissance Vancouver Hotel Harbourside,
Harbourside Ballroom 1


Tickets for Members: $59+HST or Table of 8 - $560+HST
Tickets for Future Members: $82+HST or Table of 8 - $848+HST

To register, click here.

Sponsored by:

Lillian’s Vancouver: The Chung Collection Tour



Saturday, October 2 from 2 – 3pm
Lillian’s Vancouver: The Chung Collection Tour
Irving K. Barber Learning Centre, UBC
1961 Main Mall
Free admission – reservations are required


See a vivid picture of Vancouver as it would have looked to Lillian Alling. Explore the reality of immigrants, especially Chinese, as they arrived and worked here in the early part of the 20th century, with a special guided tour of The Chung Collection by UBC Library Archivist Sarah Romkey.

Click here to register.

A Historic Walk Into Lillian's World


Photo credit: Vancouver Historical Society

Sunday, October 3, 1:00pm – 3:00pm
Saturday, October 9, 10:00am - 12:00pm
Lillian’s world – A Historical Stanley Park Walking Tour
Meet at the Stanley Park Pavilion


Stand where Lillian Alling might have stood when she fell in love with telegraph linesman Scotty Macdonald. Enter Lillian’s world through this historical walking tour of Stanley Park led by historical interpreter Jolene Cumming. Featuring evocative stories and enticing anecdotes, this 2 hour walking tour will focus on the experience of women and will offer rare archival photos of Stanley Park, Vancouver and The Telegraph Trail in the early 1900s.

Historical interpreter Jolene Cumming has been producing and presenting local women’s history programs and special historical events since 2001. A board member of The Friends of the Vancouver Archives and the Women’s History Network of British Columbia, she presents at museums, historical societies, conferences, schools, community and seniors’ centres. Her recent projects include a six-part walking tour series with the Stanley Park Ecology Society and co-founder and coordinator of the monthly Herstory Café.

Two tours will be held: Sunday, October,1:00pm – 3:00pm and Saturday, October 9, 10:00am - 12:00pm, rain or shine. Wear comfortable shoes.

Free admission – limited space. Reservations required. Visit www.vancouveropera.ca for details.

Meet at the Stanley Park Pavilion www.stanleyparkpavilion.com/Pavilion/Welcome.html
Accessible by the #19 bus. Pay parking available.

Get O.U.T.! With Lillian Alling



If you're between 18-29 and love you some opera, we have not one but TWO deals for you!

Deal #1 –

Call our ticketing centre at 604.683.0222 and give them promo code 2885 to purchase selected seats for Lillian Alling for a mere $25! That's a savings of up to 75%! Ticket limit is 2 per person. Tickets can be purchased by phone, in person or on the web.

Deal #2 -

New this year! Call our ticketing centre at 604.683.0222 Friday, October 1 and give them promo code 2875 to purchase a subscription to all four productions for just $100. That’s a savings of up to 80%! Subscriptions can ONLY be sold by phone or in person. There are no limits to purchasing subscriptions, however the subscriber must be between the ages of 18-29.

Both deals go on sale 9am on Friday October 1!

Quantities are limited so hurry! Some conditions apply.

Tickets are only available for pick-up the night of the show at the Queen Elizabeth Theatre. In order to pick up single tickets or subscription tickets, EACH patron must show valid photo ID that identifies them as between the ages of 18 – 29.

*This offer is not valid on previously purchased tickets and cannot be combined with any other offer.

Designed for a younger audience but not exclusive to students, Get O.U.T. is the first ticket program of its kind for a major arts organization in Vancouver.

Tuesday, September 28, 2010

The Metropolitan Opera National Council Western Canada Auditions

Circle Sunday November 14, 2010 on your calendar as the day to hear Western Canada’s future stars of the opera world. Promising young singers will be competing in the Metropolitan Opera National Council Auditions at the Vancouver Academy of Music.

Spend an enjoyable day hearing talented vocalists sing your favorite arias. Three judges from the United States will choose the singers they feel have the greatest potential for a successful career in opera (and of course you will have your “favorites” too.)

Sponsored by the Vancouver Opera Guild, the winners of these auditions will then go on to compete in the Regional North-West Finals in Seattle in January 2011. On March 13, 2011, the finals will be held in New York.

Sunday, 14 November 2010 11:00 am
Vancouver Academy of Music
1270 Chestnut Street
The admission is only $10


For young singers interested in applying, please contact:
Dawne Dye, Director (Western Canada District)
604-538-7794

Operabot 2.0 Update: New Judge



Welcome Rainmaker Entertainment to the Operabot 2.0 revolution!

Rainmaker Entertainment joins Electronic Arts, Rival Schools, Nerd Corps Entertainment and Bardel to be judges for Operabot 2.0 animation contest.

That's one impressive panel of judges.

~ Ling Chan, Social Media Manager

Lillian Alling: The Manga

A mysterious woman on a journey across North America, in search of a man who is the key to unlocking her past.

Who was the larger-than-life Lillian Alling?

Here's Lillian Alling as seen through the eyes of manga artist Sarah OuYang and editor Roy Husada.













To supersize, double click on the images.

~ Ling Chan, Social Media Manager

Meet Our 2010-2011 Manga Artists

Say hello to this season's opera manga artists Sara OuYang, Lily Dai, Rafaella Ryon and Betty Kwong!

Fiona Meng, our illustrious manga artist for the past 3 seasons, is currently furthering her training at the Academy of Art University Graduate Illustration program in San Francisco. Although we were sad that she wasn't available to work with us this year, we're super excited to introduce these four up-and-coming talents.

Let's get acquainted, shall we?

Sara OuYang

Sarah is an animation student at Emily Carr University of Art and Design. From a young age, she was interested and inspired by Japanese manga. Besides illustrating, she also enjoys studying, designing, and constructing costumes.


Sarah will be illustrating Lillian Alling

What’s your favourite manga?
That is a hard question considering there are so many great ones out there! I would have to say that Yami no Matsuei and Count Cain would be one of my favorites while growing up, currently I am into Kuroshitsuji.

Which manga artist do you admire?
Kaori Yuki and Yana Toboso. I like artists whose drawings and stories possesses slightly historic or Gothic characteristics.

How did you get interested in the manga artform?
I believe I first started reading manga in grade 1, and have been hooked ever since. I love all the different stories available out there, and how each manga's individual art style contributes to their own story. With this, I wanted to create character and stories of my own. That's when I began drawing manga.

What kind of schooling/training did you receive in order to be a manga artist?
I don't think I've had "proper" training to be a manga artist... (does illustration and animation courses count?) However, reading lots of instruction books and referencing manga itself really contributed to my learning.

Ever dress up as a manga character?
Haha, yes! Cosplaying is my all time favorite hobby. Right now I'm doing a series as Ciel Phantomhive from Kuroshitsuji. If theres something I enjoy more than drawing, it would be making costumes.

Are you a fan of comic books? If yes, which one(s)?
I haven't read a lot of comic books, but my favorite would probably be Batman.


Lily Dai


Lily will be illustrating Lucia di Lammermoor

What’s your favourite manga?
Definitely Card Captor Sakura.

Which manga artist do you admire?
Yukiru Sugisaki

How did you get interested in the manga artform?
It's fun, simple and quick to illustrate what is in my mind.

What kind of schooling/training did you receive in order to be a manga artist?
I would say with passion, nothing is impossible. Other than that, basic art training (such as human anatomy) could be helpful too.

Ever dress up as a manga character?
Yes, cosplay is fun.

Are you a fan of comic books? If yes, which one(s)?
Comic books? I used to read Superman alot...but after that, I realize that I am more into Mangas.


Rafaella Ryon

Brazilian born Rafaella received a BA in Art and Media from Federal University of Campina Grande in 2006. Since 2001 has been professionally developing artworks, mostly as an illustrator. In 2009, she received an honorable mention in the 3rd International Manga Award, established by the Ministry of Foreign Affairs of Japan. Rafaella oves fashion design, action figures collection, Puzzle Bobble, Demis Roussos, Death Wish III and Venger.


Rafaella will be illustrating La clemenza di Tito

What’s your favourite manga?
I do not know, actually. A manga that I really loved and did raise my desire of being a manga artist was a volume of Vampire Princess Miyu when I was 15 or16 years old.

Which manga artist do you admire?
Ayami Kojima and Yoshitaka Amano are my all-time favorite Japanese artists.

How did you get interested in the manga artform?
I grew up playing video games and I think most of the blame are from this stuff.

What kind of schooling/training did you receive in order to be a manga artist?
That was something spontaneous, unplanned. I grew up wanting to be a designer, manga emerged in the way and helped me grow as an artist. I kind of self-learned to draw, then I absorbed other styles, from realistic to the most cartoonish. About the manga style I did the basics, a lot of observation and training.

Ever dress up as a manga character?
No. I tried dress up as the Count of Monte Cristo (Gankutsuou series) but never did. I bought everything from his outfit, hahah.

Are you a fan of comic books?
Of course! I love horror comics like Dylan Dog, the fabulous wordless Gon series, the incredibly beauty from La Guerre des Sambres, Death: The High Cost of Living and many more comics.


Betty Kwong

Betty is a 4th year Emily Carr University student majoring in Animation. In her free time, she enjoys drawing, playing video games, hanging out with friends and watching animation. This is her first experience publishing a manga project, so she is very excited!


Betty and her avatar will be illustrating La traviata

What’s your favourite manga?
Monster by Naoki Urasawa

Which manga artist do you admire?
I have a lot of favorites, but Takeshi Obata amazes me.

What kind of schooling/training did you receive in order to be a manga artist?
I am a self-taught artist. The majority of my inspiration comes from the online art community.

Ever dress up as a manga character?
I cosplayed as game characters and my original character, but not manga haha. A lot of my inspiration also comes from games.

Are you a fan of comic books?
I don't read a lot of comic books. I mostly just browse for random short webcomics, although I did enjoy American Born Chinese by Gene Luen Yang.

Four manga artists for four operas. We can't wait to share their visions of our operas with you!

~ Ling Chan, Social Media Manager

Poster artwork by Leonard Dente

Monday, September 27, 2010

Opera Speaks: Creating Lillian



Creating Lillian: Inside the Creative Process of Lillian Alling

Thursday, September 30, 2010 7-9pm
Alice MacKay Room, Lower Level
Central Library, 350 West Georgia Street
Admission is free. Seating is limited.


Discover how a large-scale opera is created from scratch. Composer John Estacio, librettist John Murrell, director Kelly Robinson and members of the production team for Vancouver Opera's new commissioned opera Lillian Alling will share their three-year process of writing and producing this dramatic opera that depicts a young Russian woman's epic journey, on foot, across North America in the 1920s.

Baritone Aaron St. Clair Nicholson will perform an excerpt from the opera.

Don’t miss this rare opportunity to get inside the creative process with an extraordinary team of opera artists.

Hosted by VO's general director, James W. Wright.

Opera Speaks is an ongoing series of free public events that engage the community in exploring the themes and issues arising from Vancouver Opera's productions. For more information about Opera Speaks, visit www.vancouveropera.ca

Who was Lillian Alling?



In the early 1920s, a young woman named Lillian Alling arrived in New York City, joining the hordes of people processed through Ellis Island seeking prosperity and a fresh start in the New World.

Soon, for some unknown reason, Lillian decides to return to Russia-by walking across North America to Siberia. Over the next three yeras, Alling was spotted in Fargo, North Dakota and Atlin, BC. By 1927, she had crosed the continent alone and mostly on foot-almost 4,000 km wiht only the clothes on her back and a lead pipe for protection.

She spent the winter on the BC Coast, part of it in Oakalla prison farm. Some say she was imprisoned for vagrancy; others claim the local constable put her in jail because he was concerned she would try to head north during the bitter winter months. When spring arrived, Alling was off again and seen on the treacherous Telegraph Trail - the only land route between Quesnel and Hazelton. There were rumours of love with a linesman and glimpses of her in Northern BC.

What happened to Lillian Alling? Did she walk all the way back to Russia? Or did she perish en route?

We may never know, for nothing more was ever heard of Lillian. Like the mists in the mountain passes or a trail of footprints in the snow, she disappeared, becoming part of the myth of the North.

VO will explore this real-life, larger-than-life mystery with the world premiere of Lillian Alling on October 16.

We hope to see you there!

Ask me anything

Sunday, September 26, 2010

Lillian Travel Blog, Entry #6



Hazelton
October, 1927


I did not think to find myself back in this town again so soon, back at the beginning of the Telegraph Trail – and without my precious freedom. I have been bitterly betrayed, by a man I thought was my friend.

After I bid farewell to Sam at Cabin One, I continue north, following the telegraph line. Sam has replenished my supplies, so I have enough food to keep me strong. I am wary of bears and wolves, but I learn not to jump at every twig breaking, at every rustle of bushes. I begin to enjoy this untamed country, to marvel at its wild beauty and to drink deeply of its moist air. Perhaps this is where I belong. But I must not daydream. I must stay focused on finding Telegraph Creek, and Jozéf.

I count on my map eight more linemen’s cabins I must pass before I reach Telegraph Creek. On the first day I make good progress, but on the second day I am slowed by rain so heavy that I am forced to take shelter. Even so, I am drenched to the skin. My boots take the worst of it. Sodden, they begin to pull apart at the seams when I start walking again.

I drop my pack and fall asleep on the bank of a stream, too chilled and exhausted even to eat. I awake in darkness to the sound of snuffling and grunting nearby. By moonlight, I make out the lumbering shape of a bear. My heart is in my throat, but the bear is too busy eating my food to notice me. I lie perfectly still while he devours the last of my dried salmon. I keep a tight grip on the pistol in my pocket – although I know it would be useless against this giant.

I travel two more days without food. I am hot with fever. At times the trail is overgrown with brambles, and I must fight my way through them. They tear at my clothes, and my skin. At last I reach Cabin Two. The door is open. I am too starving to be polite and knock. Inside the door on a shelf, I see tins of food. Without thinking, I take several. Only then do I see the lineman, sitting at his telegraph machine, his back to me. Then he turns and sees me. I run.

This lineman is young and fit. He catches me in the clearing outside the cabin, holding onto me firmly with his strong hands. I look up expecting anger, but instead I see a broad smile across his handsome face. “I know you!” he says. He calls me the “Mystery Woman”, heading for Siberia, and to my chagrin I remember the small lie I told Sam, now grown into a small legend. I have been invisible for so long that I resent the loss of my anonymity to the telegraph line.

But Scotty Macdonald is a gentleman, and he seems to understand that I do not like questions. He insists that I stay with him until my blisters have healed and my fever is gone. He warns me there will be snow before long, and tries hard to persuade me to turn back and wait out the winter in Hazelton. I wish I could explain to him what drives me to find Jozéf.

On the third day, I prepare to say good-bye. Scotty finds excuses to delay me – cutting down a pair of his pants to fit me, hiding my boots. Like a fool, I think it is because he likes me, but then I find out the real reason. The policeman, Wyman, arrives. He has come for me, because – behind my back -- Scotty has called him on his telegraph. My worst fear comes true. Wyman arrests me, and brings me back here to Hazelton. To jail! Tomorrow I will be brought before a judge. Scotty Macdonald, I will never forgive you.

Friday, September 24, 2010

Lillian Alling At Word On The Street



Sunday, September 26
The Word on the Street
Mainstage
Library Square, Vancouver Public Library Central Branch
1:00pm – 1:30pm
Free admission


Where is Lillian? Popping up on the main stage at The Word on the Street, that’s where! Hear excerpts from Lillian Alling. Visit www.vancouveropera.ca or http://www.thewordonthestreet.ca/wots/vancouver for more information.

VO Gets QR Coded



What in pixelated heck is THAT and what's it doing on the VO blog?

For the uninitiated, this is what's called a QR code aka quick response code. Made up of black or coloured modules on a white square background, the information that's embedded in a QR code will direct you to a website, a contact number or other data.

In order to read a QR code, you must have a smartphone such as the iPhone, Blackberry or Android, a newer model mobile phone with a camera or a QR scanner. Some smartphones already come installed with QR code readers, while others just require a simple and free download of a reader such as Neo, Mobio, among a slew of other options.

For example, once scanned, the above QR code will link you to the www.vancouveropera.ca website. Neato!

QR codes have been in use in Japan since 1994. You can find them practically everywhere and on most everything: from magazines to posters, billboards, food wrappers and menus.

And QR codes are making their way to North America. In fact, you may have already seen our transit posters with our QR code around the city. Posted earlier this month, you can find them at:

Cambie Street and W. 54th Avenue
Clark Street and E. 3rd Avenue
E. 49th Avenue and Victoria Street
E. Broadway and Prince Edward Street
E. Hastings Street and Windermere Street
E. 41st Avenue and Windsor Street
E. Hastings Street and Princess Street
Kingsway and Knight Street
Fraser Street and E. 35th Avenue
Main Street and E. 36th Avenue

If these transit stops are nowhere near you, don't worry. Starting Monday, we'll be blanketing Metro Vancouver with 2500 street posters, all of which will have the same QR code on them.

So what's behind our mysterious QR code?

Exclusive behind-the-scenes access to all things Lillian Alling, including photos, audio tracks and video. Fresh content will be posted weekly, so be sure to check back regularly.

For those who don't have smartphones, not to fear, we will be re-posting all the content on the VO blog at a later date.

Vancouver Opera is excited about using this technology to enhance your experience at our operas. We hope you enjoy this new feature.

~ Ling Chan, Social Media Manager

Sweet Land & Lillian Alling: Parallels



If you attended the Sweet Land movie presentation at Vancity Theatre last night, you would've heard UBC professor Jean Barman draw parallels between the movie and our upcoming world premiere opera, Lillian Alling.

If you were unable to make it, here is the compelling speech that preceded the featured movie last night, compliments of Ms. Barman.

"It’s a special pleasure to be invited to introduce Sweet Land and also the upcoming Vancouver Opera production of Lillian Alling. Both are satisfying in themselves, but they are also, from my perspective, even more so when experienced together.

Sweet Land and Lillian Alling give us two opportunities to explore a critical component of ourselves as human beings. We are each born with a longing for an identity of our own.

To read more at the Lillian Alling blog, click here.

Volunteers Needed



The new season is starting soon! We are currently accepting volunteers for the following positions:

Ambassadors

The role of the Ambassador is to welcome patrons at Vancouver Opera productions and events. The goal is to assist patrons in having as enjoyable an experience as possible.

As Ambassadors, volunteers are required to become familiar with the production being presented, through orientation and the Vancouver Opera website. Volunteers are also expected to present a positive image of themselves and Vancouver Opera.

Time required: 2-3 hours, depending on the length of the production

Number of Volunteers Required: 12-15 Ambassadors for each performance

Vancouver Opera Ambassadors have excellent inter-personal skills, good judgment, take pride in their work and value customer service. Students are encourage to volunteer and are given flexibility around their studying schedules.

Chaperones

The purpose of Vancouver Opera Chaperones is to provide adequate supervision of the children's chorus during rehearsals and productions. The goal of this volunteer assignment is to ensure the smooth running of rehearsals and production nights.

Chaperones are responsible for supervising the children, as well as making sure that they are escorted to and from the stage at the appropriate time. Volunteers are required to stay until all of the children have been picked up from the rehearsal hall/theatre.

Time Required: 1-5 hours, depending on rehearsal/production requirements.

Number of Volunteers Required: 2-3, depending on chorus size.

Lightwalkers

Lightwalking provides a unique opportunity to be backstage, and onstage during the week prior to opening night. Lightwalking is done by volunteers in order to help the lighting technicians finalize lighting for the productions. This is a crucial aspect of preparation for the shows.

In order to be effective at lightwalking, volunteers are required to be knowledgeable about stage directions. Hand outs are provided prior to lightwalking assignments.

Due to the unpredictable nature of productions, lightwalkers will be phoned the evening prior to their assignment for confirmation of times etc.

While this assignment is onstage and at the theatre, it is very important to follow the rules of backstage conduct, which will be explained prior to your assignment.

Time Required: 3-5 hours.

Number of Volunteers Required: 2 (lightwalking is done in pairs).

Mailings & General Office Help

Vancouver Opera has numerous mailings throughout the year. Volunteers are required to help with these mailings to assist staff in a productive manner.

Time Required: Flexible

Number of Volunteers Required: Flexible, this assignment is usually done in pairs or groups

Volunteer with Vancouver Opera to further the company’s mission of artistic excellence. For more information about becoming a volunteer, please call Ling Chan at 604-682-2871 ext. 4842 or email lchan@vancouveropera.ca

Thursday, September 23, 2010

Best Arts Web Site



Oh happy day!

Vancouver Opera landed in the Georgia Straight's Best of Vancouver 2010 issue. Under the Arts category, Vancouver Opera was named Best Arts Web Site.

Here's what the Georgia Straight contributors had to say:

It may specialize in a centuries-old art form, but the Vancouver Opera is ahead of the times when it comes to its Web presence. Head to www.vancouveropera.ca and you can watch videos of rehearsals and audience responses, listen to podcasts, or, funkiest of all, check out the Opera Manga—illustrated versions of the pieces on its seasonal roster. The VO also has its own blog, plus a phalanx of live bloggers covering its shows; it sponsors a video contest via YouTube called Operabot; and it ranks as one of the few arts organizations in North America to employ full-time staff dedicated to social media. Yes, the team even tweets from backstage on opening night.

Thank you Georgia Straight for this amazing honour!

Now if you'll excuse us, we're going to run out and empty all the newstands for this week's issue to paste up on our office walls.

~ Ling Chan, Social Media Manager

Culture Days With Lillian Alling



In celebration of Culture Days, a limited number of guests will be admitted to an open rehearsal of the VO Chorus led by Associate Conductor and Chorus Director Leslie Dala as they prepare for the World Premiere of Lillian Alling.

Space is extremely limited: admission is first-come, first-served. Call 604-683-0222 to make your reservation!

Friday, September 24
Holy Rosary Hall, 650 Richards Street
7:00pm – 9:00pm
Free admission

Wednesday, September 22, 2010

Lillian Alling Community Event: Sweet Land



Thursday, September 23
Film Screening: Sweet Land
Vancity Theatre, Vancouver International Film Centre
1181 Seymour Street
7:00pm


Director: Ali Selim // USA 2005 // 110 mins
Cast: Elizabeth Reaser, Patrick Heusinger, Alan Cumming, Alex Kingston, John Heard, Ned Beatty, Tim Guinee, Lois Smith

Sweet Land is a poignant and lyrical celebration of land, love, and the immigrant experience, as recollected in a man’s memory of his grandmother’s stories. Inge arrives in Minnesota in 1920 to marry a young Norwegian farmer named Olaf, but the community is suspicious of this German stranger, and the marriage is forbidden. Alone and adrift, Inge goes to live with Olaf’s friend and neighbor Frandsen and his wife Brownie, where she learns the English language, American ways, and a hard-won independence.

Similar in scope but equally as personal, Vancouver Opera’s world-première production of Lillian Alling, by composer John Estacio and librettist John Murrell, is a sweeping story embracing the immigrant experience of the 1920s, the history of British Columbia and the journey of a courageous and driven woman who walked from New York City across North America and along BC’s Telegraph Trail. BC historian and author Jean Barman will introduce the film and offer parallels to consider between these two stories.

Visit www.vancouveropera.ca or http://www.viff.org/theatre/ for details and to book your tickets in advance or you can purchase your tickets at the door.

Lillian Alling In Your Glass


Photo credit: Four Seasons Hotel

A romantic dinner. Drinks after work. A girls night out. A business lunch meeting.

What do they all have in common?

There are all great occasions to try out the new Lillian Alling cocktail drink at YEW Restaurant and Bar in the Four Seasons Hotel!

Heard on last weekend's Saturday Afternoon at the Opera, YEW bartender extraordinaire Justin Taylor concocted this utterly original cocktail. FYI, Justin also came up with the 2010 Winter Olympic Cocktails for YEW last winter.

As for the Lillian Alling cocktail, Justin says it's "dramatic looking for the opera crowd and refreshing & delicious for a journey like Lillian's."

Lillian Alling cocktail:

2 oz vodka

1/4 tsp red cayenne pepper sauce

1/4 tsp peach bitters

3/4oz elderflower cordial

1 oz fresh lime juice

1 oz fresh cucumber

pinch of fresh cilantro

Top with seltzer water and serve in an oversized wine goblet with a tied cucumber slice.

YEW Restaurant is open everyday from 5:00 pm - 10:00 pm for dinner.

YEW Bar is open Sunday through Wednesday 11:00am - midnight & Thursday through Saturday 11:00am - 1:00am

Perfect times for a pre-show drink to get you in the mood for Lillian Alling or as a nightcap after our world premiere.

Enjoy. (but please drink responsibly).

~ Ling Chan, Social Media Manager

Tuesday, September 21, 2010

Vancouver Opera Achieves 9th Operating Surplus In 11 Years, In A Season Of Exciting Artistic Choices

Vancouver Opera closed its Golden Anniversary 2009-2010 Season with its ninth operating surplus in eleven years. Audited financial statements presented yesterday at the company’s Annual General Meeting reported an operating surplus of $59,308 for the year ended on June 30, 2010, on a budget of $9.6 million.

Bold artistic choices, critical acclaim for the season’s productions and growing community involvement contributed to VO’s increased fiscal stability.

VO’s Golden Anniversary Season featured its first production of Bellini’s Norma in almost 20 years, conducted by the legendary Richard Bonynge, and the Canadian premiere of Adams’s Nixon in China, in a new VO production that was a critical and popular success: “The demanding work’s very first Canadian production is a brilliantly effective one,” praised The Vancouver Sun.

The season also included an all-Canadian production of Mozart’s The Marriage of Figaro; and Madama Butterfly, designed by Japanese-born artist Jun Kaneko.“Vancouver Opera [closed] its golden-anniversary season in high drama, with a production that’s not just a visual feast—a giant, constantly shifting piece of contemporary art—but boasts the kind of vocal star power you’d expect on one of the world’s more famous stages,” raved the Georgia Straight about Madama Butterfly, the closing production of VO’s Golden Anniversary season.

Board chair Alex Besharat said, “Achieving nine operating surpluses in eleven years is a remarkable accomplishment for an arts organization. Vancouver Opera made some bold artistic choices in 2009-2010 but maintained its solid financial position, despite the uncertain economic climate. This strength is a testament to the artistic and administrative leadership of General Director James Wright; to the investment by all levels of government; and to the support of the community.”

VO’s General Director James W. Wright said, “This past season, VO celebrated an illustrious past and looked ahead to an exciting future. To finish our Golden Anniversary Season in a solid financial position is especially gratifying. VO will carry on making strong artistic choices and reaching new audiences, while continuing to provide the high levels of artistic achievement that our loyal subscribers and patrons expect.” Added Wright, “I am grateful for the foresight, collective experience and support of our Board of Directors. The Board’s astute leadership is instrumental in allowing Vancouver Opera to remain one of the leading arts organizations in the country.”

A great many community engagement events were produced as part of the Canadian premiere of Nixon in China, including special events with historian Margaret MacMillan and filmmaker Alexandre Trudeau, forums exploring the history of the Chinese community in Vancouver, and film screenings and explorations of the music of John Adams. VO partnered with several groups to present this major series of events, extending its already far-reaching community involvement.

Vancouver Opera’s 2010-2011 season will open with the world premiere of a brand-new opera, commissioned by VO: Lillian Alling, by composer John Estacio and librettist John Murrell. As well as productions of Donizetti’s Lucia di Lammermoor and Verdi’s La Traviata, VO will present the company premiere of Mozart’s last opera, La Clemenza di Tito. VO’s extensive community engagement and innovative online presence will continue, and a new production for young people of Rossini’s Cinderella will tour schools as part of the company’s 38-year-old Vancouver Opera In Schools program.

The 2009-2010 season was supported by Goldcorp, Inc. in the first of a three-season sponsorship, the first multi-season sponsorship in VO’s history.


New Board Members

Four esteemed community leaders were elected to the VO Board of Directors at the Annual General Meeting on September 20, 2010:

Dr. David W. Atkinson is the President and Vice-Chancellor of Kwantlen Polytechnic University and has a lengthy teaching and administrative career involving positions at the University of Lethbridge and the University of Saskatchewan. He was President and Vice-Chancellor at Brock University and Carleton University. Dr. Atkinson has been widely published, is a recipient of the Queen’s Jubilee Medal and is a Paul Harris Fellow. He served as President of the Board of Directors of the Saskatoon Symphony, was a Director of the Niagara Symphony and currently serves on the Board of the Katimavik Foundation.

Mary Jordan (continuing an interim appointment made November 30, 2009)
Ms. Jordan’s background is in the airline and transportation industries. She has held senior executive positions at major American and Canadian airlines, at the BC Centre for Disease Control in Vancouver and at Laidlaw International in Illinois. Ms. Jordan is Chair of the Board of YVR (the Vancouver International Airport), a Director of Coast Capital Savings and a member of the Insurance Council of BC. She is an Executive in Residence at UBC’s Sauder School of Business and a recipient of Canada’s “Top 40 Under 40” Award.

Julia Kim is Vice-President, Investment Counsellor at RBC Phillips, Hager & North Investment Counsel, where she provides wealth management for private clients and foundations. She joined Phillips, Hager & North Investment Management Ltd. in 1996 and became a partner in 1999. Before joining PH&N, she worked as a private banker for one of the largest Canadian chartered banks. Ms. Kim is past Chair of the Minerva Foundation for BC Women. She was a director on the boards of YWCA Vancouver and of Family Services of Greater Vancouver and volunteered as an Account Executive for the United Way of the Lower Mainland.

Philippe Sarfati is the Chief Risk Officer at Coast Capital Savings. He has 30 years of experience in the financial services industry in the areas of commercial banking, corporate and investment banking, international finance, as well as in enterprise risk management. His career began at the Bank of Montreal where, over a 21-year period, he held various line and executive positions. Following that he was Director, Risk Management at EDS Canada; VP and Head, Global Banking and Trade Solutions at CIBC World Markets; VP and Head, Risk Management at PMI Group; and Director, Risk Management at the Canada Pension Plan Investment Board. Mr. Sarfati holds a Baccalaureat en Sciences Economiques (Academie de Caen), a Bachelor of Commerce from McGill University and an MBA from Ecole des Hautes Etudes Commerciales. He is an instructor for the Risk and Insurance Management Society and is a Director of Epilepsy Toronto.


Vancouver Opera Board of Directors, 2010-2011

Bev Park – Chair
Yuri Fulmer – Vice Chair
Mary Jordan – Treasurer
Lis Welch – Secretary
Alex R. Besharat – Immediate Past Chair

Directors
David W. Atkinson
Doris Bradstreet Daughney
Stephanie Chung
Heather Clarke
Parviz Cordwell
Henning Freybe
J. Michael Gallagher
Yoshiko Karasawa
Linda Kaser
Julia Kim
Julia Levy
Martin L. MacLachlan
Rona Radler
Philippe Sarfati
David Scott
Manjy Sidoo
Susan Van der Flier
Inna Vlassev O’Brian
Elisabeth Dawson – President, Vancouver Opera Guild
Arlene Gladstone – Chair, Vancouver Opera Foundation

Distinguished Honourary Members:
Martha Lou Henley
Kenneth W. Mahon

Lillian Travel Blog, Entry #5



On the Telegraph Trail
September, 1927


I spend longer than I intend in Hazelton, but with Jozéf so close, I must make myself ready. I find work cooking at a fishing camp. I am finding English easier to understand, but still difficult to speak. At any rate, I have little to say. I listen, invisible, to the men telling stories around the campfire at night, and I learn.

I learn that thirty years ago, gold fever seized this land. Thousands of men came from all over and traveled even further north in search of wealth. Many died and few grew rich, but still they came to find their fortune – just as Kristian told me that Jozéf has come here to find his. Those were days of big dreams, and one such dream was to build a telegraph line a thousand miles north to Dawson City. I learn that from Hazelton, they built a lineman’s cabin every 32 miles. There are nine cabins between Hazelton and Telegraph Creek – more than 300 miles I must travel by foot, through the wilderness! The men talk of bears and wild cats. I wonder however I shall survive. But survive I must. I must find Jozéf.

I set out at the end of August with as much food as I can carry, the pistol and two ten dollar bills in my pocket – all the money I have in the world. These linemen must have supplies in their cabins. Perhaps I can purchase food from them as I go.

The air is cool, for that I am grateful. But the mountains and trees make me wish for the open plains. I follow the Telegraph Trail along the broad Skeena River, keeping the wire in sight, counting 32 miles to the first lineman’s cabin. In the flat lands of North Dakota, I easily walked 32 miles in a day. But through this thick forest, up hills and down gullies, 32 miles takes me three days. Brambles catch my clothing. Insects plague me. Giant black ravens spy on me from their high perches. Every rustle of leaves is a bear or a wild cat, stalking me.

At last I follow the wire to the first cabin, nothing more than a house of logs. I knock at the door, for despite my ragged appearance after many days in the wilderness, I am still civilized. When there is no reply, I go inside. I find one room – two bunks, a table with the telegraph machine. And food. I have had nothing but berries and stream water today, so I open a tin of beans. I barely have a mouthful when I hear him coming, whistling a tune. He opens the door – a bear of a man -- and I am caught, guilty of theft, trying to explain with my broken English that I will pay him for the food.

But the man is not angry, only surprised to see me, a woman, alone out here. He tells me his name is Sam. He wants to know my name. I tell him I am Lillian Alling. He asks me many more questions. How did I come here? Where am I going? Why am I here? I begin to think this Sam is very nosy. He works for the government. Does he plan to tell the police about me? About Jozéf? So I tell him a story. I tell him I have come from New York City. I tell him I am walking home to Russia, to Siberia. At this, Sam whistles.

Sam wants me to stay. He says it is too dangerous for me, a woman alone. Perhaps if I tell him the truth, he will understand what drives me. As it is, he calls me his “Mystery Woman” as I take my leave, heading north to Jozéf.

Friday, September 17, 2010

Lillian Updates From Banff



What a fabulous two days of rehearsal we have had as we bring Lillian Alling to life. The work on the set with Stage Director Kelly Robinson and our Irene, Judith Forst and Jimmy, Roger Honeywell has been wonderful.

It is very rare in opera to have a chance to rehearse on the set but with our co-production with The Banff Centre, we are doing just that.



The set is designed by Sue LePage and is full of wonderful levels, stairs, angles and a pick-up truck!

This production incorporates a large video design which local Vancouver designer, Tim Matheson is working on here. Having the chance to look at content and begin to make cues is something we would have had to work into the wee hours of the morning during our tech week in Vancouver to achieve. We are using six projectors for both front and rear projections that will help us tell the journey the Lillian Alling takes.



The exploration and discovery that we have had in these first two days will continue with the rest of the cast until next week. All this will make the world premiere of this wonderful new opera even more special.

~ Tom Wright, Director of Artistic Planning

Photo credit: Tom Wright

How do you choose the operas for the upcoming seasons?

A very interesting and not easily answered question! The quickest and easiest answer is that it is much like the proverbial making of sausage…. You may not want to know!

But seriously: the recipe for putting together an opera season is a bit of art, a bit of science, a bit of experience and a bit of risk-taking:

Start with a popular, top-ten opera (like La Traviata, La Boheme, Aida, Carmen). These works are practically guaranteed to sell really well, and fund less-know works. Every opera company I know of in North America schedules at least one of these a season. They pay the bills. And they’re really good operas, too, that have stood the test of time.

At the other end of the spectrum, I try to include a work much less well-known, perhaps from the 20th Century. In VO`s case, we are planning to produce a post-WWII opera each season for the next several years, following on the success of last spring`s Nixon in China. These works are risky from a marketing perspective because they have low name recognition and also many people fear trying something new, especially `new music.` But I believe it is important to refresh the operatic repertoire and introduce audiences to newer work and less familiar work.

We try to incorporate one piece that is lighter, something like The Barber of Seville or Die Fledermaus or The Italian Girl in Algiers. These pieces break-up the notion that opera is always dark and heavy and tragic, and they are sometimes more suitable for children and families.

Another consideration is to produce `second tier` works of the masters (Verdi, Puccini, Mozart, etc.). I use that phrase as a gauge of popularity and recognition, not of quality. Examples would be Verdi`s Falstaff, Puccini`s The Girl of the Golden West, and Mozart`s La Clemenza di Tito.

We may also wish to explore a given composer over several seasons, as VO did with Richard Strauss, producing a Strauss opera each year for several years.

Other considerations include budgetary considerations, which will effect size of orchestra, number of choristers, and scale of scenery; availability of rental productions; availability of suitable singers for the roles; and the size of the opera house (the Queen Elizabeth`s size makes it challenging to produce the intimate chamber operas of Donizetti, such as Don Pasquale).

These are some of the ingredients to consider in assembling an opera season. I apologize for taking so long to respond to the question. Next time I will be more prompt!

James Wright
General Director
Vancouver Opera

Ask me anything

A Place Of Pure Delight

For your listening pleasure, here's the latest Lillian Alling track, I've Found a Place of Pure Delight.



This song is from Scene 9 of the opera and features a sublime chorus.

Enjoy.

Who's That Girl?



Follow Lillian’s Twitter feed at @whereslillian to receive her updates from the road. Read Lillian's travel blogs here or on the Lillian Alling blog.

But who is the “voice” of Lillian?

All will be revealed on opening night: Saturday, October 16th.

Thursday, September 16, 2010

Nightfire On Gallery Walls


Photo credit: Rival Schools

Hundreds of spectators came out to the Vancouver Art Gallery on September 10th and 11th to feast their eyes on Rival Schools' Project Nightfire.

Rival Schools utilized the art gallery's facade like a canvas, projecting onto it an animated story, which was accompanied by a recording of José Carreras singing Nessun Dorma from Turandot.

It is the story of a fallen angel. She’s found broken by a lone man and with love he takes her on a journey back to her home. - Rival Schools

For those of you who were not able to make it downtown, here's a video of Project Nightfire.


Video credit: Rival Schools

The Rival Schools team are in the throes of planning their next public art installation event. Not only will it be fun to see what they come up with, it's anyone's guess where it's going to pop up next.

~ Ling Chan, Social Media Manager

Grind For Kids

As part of last week's Grind for Kids fundraising event for BC Children's Hospital, VO's orchestra concertmaster Mark Ferris rode his bike from downtown Vancouver across the Lions Gate Bridge and to the foot of Grouse Mountain.

That was just phase I.

For phase II, he had to ascend the infamous Grind by foot. Starting at the base of the mountain, which is already 300m/985ft above sea level, Mark hiked up an additional 500m/1640ft and in an impressive 45 minutes, made his way to the top.

Once the peak was reached, Mark had to complete the challenge by descending by gondola and biking back across the Lions Gate Bridge.



Not an easy feat but our orchestra concertmaster beat the challenge and raised money for this amazing cause. Well done, Mark!

Oh, and just how awesome is Mark Ferris? Last year, for VO's participation in CIBC's Run for the Cure, Mark was one of the fastest runners in the entire race, finishing the 5K challenge in just 20 minutes.

~ Ling Chan, Social Media Manager

Lillian Travel Blog, Entry #4



Hazelton
August, 1927


Kristian Fjeldståd gives me a map that Jozéf left behind, a map of the Telegraph Trail, ending at his destination of Telegraph Creek. But first I must find my west and north, to Hazelton in British Columbia. Kristian thinks there is a railroad in Canada, all the way to the Pacific Ocean.

Kristian’s father, Karl, is not pleased to have me at their farm, a visible reminder as I am of his resentment towards Jozéf. I am not one to linger where I am not wanted. After two days, I accept Kristian’s kind offer of a little food and new boots – boots that he had outgrown – and I am on my way again.

I walk for days, heading west. The land is flat and open, wilder the further west I go. No welcoming lights of a farmhouse, no shelter from the sun. The boots Kristian gave me are too loose. I stuff them with grass, and keep walking.

Then, good fortune. I come to a broad lake which would have taken a full day to walk around, had it not been for the people I meet there, gathering wild rice. They call themselves Métis, and come from the north, from Canada. They speak mostly French and, I, little English, but we manage to work out that in exchange for helping them harvest rice from the lake, they will transport me north in their canoes.

Somewhere on the lakes and rivers we travel, we leave America behind. I do not know much about Canada, only that it is cold in winter and very large – larger than even the United States. The untamed wilderness of North Dakota gives way to endless fields of golden wheat, rising up from the river to tidy farmhouses. It feels orderly. It feels safe. Daydreaming as the Métis paddle, I picture myself living in one of these houses, working in these fields alongside my man – safe from the soldiers and police back home. I imagine what it would be like to belong here. To belong anywhere.

We part ways at Old Wives Lake. From here I walk to Moose Jaw, a small railway town with fine brick buildings -- mostly banks, it seems to me. I hop the first train I can, westward.

I travel curled in the corner of a freight car. I ration my food and water, for I have no idea how many days it will be to Hazelton. Or will it be weeks? I keep my pistol close at hand, wary of the hungry, ragged men who come and go – arriving with a thump and a fright as they hurl themselves into my car. I am constantly afraid that the railway police will spot them, and my hiding place will be given away.

When the box car is too hot and airless to bear, I take a chance and sit by the open door to feel the wind in my face. I watch the sun-bleached prairie roll by -- wheat, wheat and more wheat! -- until, one day, I see in the distance blue hills. The train stops at a place called Cow Town, according to the hobos. Next we go north to Edmonton, where I must change cars – running to catch the westbound train on legs like rubber from disuse.

This train goes through mountains so high they are capped by snow, even in mid-summer. Then Jasper, then Prince George, then countryside where the trees are as high as the mountains. Until at last we reach Hazelton. When the railway police are not looking, I leave the sanctuary of the box car. I must gather supplies, for it is from here that my most difficult journey begins – north through the wilderness along the Telegraph Trail to Telegraph Creek. To Jozéf.

Wednesday, September 15, 2010

Opera Speaks: Alone In A New Land



Alone in a New Land: The Immigrant Experience in Canada

Wednesday, October 6, 2010 7-9pm
Alice MacKay Room, Lower Level
Central Library, 350 West Georgia Street
Admission is free. Seating is limited.


The title character in Vancouver Opera's world premiere production of Lillian Alling arrives in North America through Ellis Island, in New York, in 1927. Central to her story - a single-minded quest that takes her across the continent by foot and boxcar, into the wilds of northwestern British Columbia - is her experience as an immigrant. Alien, ostracized, exposed to danger and taking immense risk, her immigrant experience is a deeply moving undercurrent throughout the opera.

Canada's character has been built with the emotional and spiritual fibre of immigrants such as Lillian. Join a panel of experts and historians, as they portray the stories of individuals and families, from many lands, who have arrived on our shores. Panelists include Nick Noorani, prominent social entrepreneur, immigrant advocate and author of the best-selling book Arrival Survival Canada.

Opera Speaks is an ongoing series of free public events that engage the community in exploring the themes and issues arising from Vancouver Opera's productions. For more information about Opera Speaks, visit www.vancouveropera.ca

Project Onto Me II

The Lillian Alling production crew is hard at work in Banff right now. Here are more video projection goodness from designer Tim Matheson.

An award-winning projection designer, photographer, videographer, Tim Matheson has used the projection of imagery as an element of the set design in over 100 designs for theatre, opera and dance.


Scene 1: home


Scene 3: tenement stairs


Scene 8: at the park


Scene 8: telegraph wires I


Scene 8: telegraph wires II


Scene 9: Oakalla Prison


Scene 10: Vancouver streets


Scene 13: green screen climb


Scene 14: down by the river

~ Ling Chan, Social Media Manager

Photo credit: Tim Matheson

Tuesday, September 14, 2010

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To sign-up, click on the E-News box on the right-hand sidebar.

A Postcard From Lillian Alling



After three weeks in New York, I have not found Jozéf. I have learned only that he went to work on a farm in a place called North DAkota. With no money, I will have to travel by foot. I found a map in the library. I know it will be an arduous journey but I am determined to find him. I must find him.

I will write you again soon. Wish me luck!

Sincerely,

Lillian Alling

Monday, September 13, 2010

Lillian Alling Community Events



Engage your mind and your imagination in preparation for the world premiere of Lillian Alling, by composer John Estacio and librettist John Murrell. Explore music, film and BC history through VO’s Lillian Alling Community Events series, organized by Vancouver Opera in collaboration with various partners.

Wednesday, September 22, 10:00am – 11:00am
Saturday, October 2, 2:00pm – 3:00pm
Lillian’s Vancouver: The Chung Collection Tour
Irving K. Barber Learning Centre at UBC
1961 Main Mall


See a vivid picture of Vancouver as it would have looked to Lillian Alling. Explore the reality of immigrants, especially Chinese, as they arrived and worked here in the early part of the 20th century, with a special guided tour of The Chung Collection by UBC Library Archivist Sarah Romkey. Two tours will be held: Wednesday, September 22, 10:00am – 11:00am and Saturday, October 2, 2:00pm – 3:00pm.

Free admission – reservations are required for each tour. Visit www.vancouveropera.ca for details.

Presented in partnership with UBC Library Vault. The Chung Collection is the generous gift of Dr. Wallace Chung and Dr. Madeline Chung, longtime patrons of Vancouver Opera.


Thursday, September 23
Film Screening: Sweet Land
Vancity Theatre, Vancouver International Film Centre
1181 Seymour Street
7:00pm


Director: Ali Selim // USA 2005 // 110 mins
Cast: Elizabeth Reaser, Patrick Heusinger, Alan Cumming, Alex Kingston, John Heard, Ned Beatty, Tim Guinee, Lois Smith

Sweet Land is a poignant and lyrical celebration of land, love, and the immigrant experience, as recollected in a man’s memory of his grandmother’s stories. Inge arrives in Minnesota in 1920 to marry a young Norwegian farmer named Olaf, but the community is suspicious of this German stranger, and the marriage is forbidden. Alone and adrift, Inge goes to live with Olaf’s friend and neighbor Frandsen and his wife Brownie, where she learns the English language, American ways, and a hard-won independence.

Similar in scope but equally as personal, Vancouver Opera’s world-première production of Lillian Alling, by composer John Estacio and librettist John Murrell, is a sweeping story embracing the immigrant experience of the 1920s, the history of British Columbia and the journey of a courageous and driven woman who walked from New York City across North America and along BC’s Telegraph Trail. BC historian and author Jean Barman will introduce the film and offer parallels to consider between these two stories.

Visit www.vancouveropera.ca or http://www.viff.org/theatre/ for details and to book your tickets in advance.


Friday, September 24
Open Chorus Rehearsal
Holy Rosary Hall, 650 Richards Street
7:00pm – 9:00pm


In celebration of Culture Days, a limited number of guests will be admitted to an open rehearsal of the VO Chorus as they prepare for the world premiere of Lillian Alling. Space is extremely limited: admission is first-come, first-served.

Free admission – reservations required. Call 604-683-0222 to make your reservation. Space is limited.


Sunday, September 26
The Word on the Street
Mainstage
Library Square, Vancouver Public Library Central Branch
1:00pm – 1:30pm
Free admission


Where is Lillian? Popping up on the main stage at The Word on the Street, that’s where! Hear excerpts from Lillian Alling. Visit www.vancouveropera.ca or http://www.thewordonthestreet.ca/wots/vancouver for more information.


Monday, September 27
Composition Forum with John Estacio
Barnett Hall, UBC
12:00pm – 1:30pm
Free admission


John Estacio, UBC alumnus and internationally acclaimed composer of Lillian Alling, talks about the creation of this new work and the art and craft of composing. Presented in partnership with the UBC School of Music. Visit www.calendar.events.ubc.ca/cal/event/showEventMore.rdo for more information.


Thursday, September 30
Opera Speaks @ VPL: Creating Lillian: Inside the Creative Process of Lillian Alling
Alice Mackay Room, Vancouver Public Library Central Branch
7:00pm – 9:00pm


Free admission

Discover how a large-scale opera is created from scratch. Composer John Estacio, librettist John Murrell, director Kelly Robinson and members of the production team for Vancouver Opera's new commissioned opera Lillian Alling will share their three year process of writing and producing this dramatic opera that depicts Lillian's epic journey, on foot, across North America in the 1920s.

Cast members will perform excerpts from the opera. This will be a rare opportunity to get inside the creative process with an extraordinary team of opera artists.


Sunday, October 3, 1:00pm – 3:00pm
Saturday, October 9, 10:00am - 12:00pm
Lillian’s world – A Historical Stanley Park Walking Tour
Meet at the Stanley Park Pavilion


Stand where Lillian Alling might have stood when she fell in love with telegraph linesman Scotty Macdonald. Enter Lillian’s world through this historical walking tour of Stanley Park led by historical interpreter Jolene Cumming. Featuring evocative stories and enticing anecdotes, this 2 hour walking tour will focus on the experience of women and will offer rare archival photos of Stanley Park, Vancouver and The Telegraph Trail in the early 1900s. Two tours will be held: Sunday, October,1:00pm – 3:00pm and Saturday, October 9, 10:00am - 12:00pm, rain or shine. Wear comfortable shoes.

Free admission – limited space. Reservations required. Visit www.vancouveropera.ca for details.

Meet at the Stanley Park Pavilion www.stanleyparkpavilion.com/Pavilion/Welcome.html
Accessible by the #19 bus. Pay parking available.


Wednesday, October 6
Opera Speaks @ VPL: Alone in a New Land: The Immigrant Experience in Canada
Alice Mackay Room, Vancouver Public Library Central Branch
7:00pm – 9:00pm
Free admission


The title character in Lillian Alling arrives in North America through Ellis Island, in New York, in 1927. Central to her story - a single-minded quest that takes her across the continent by foot and boxcar - is her experience as an immigrant. Alien, ostracized, exposed to danger and taking immense risk, her immigrant experience is a deeply moving undercurrent throughout the opera.

Canada's character has been built with the emotional and spiritual fibre of immigrants such as Lillian. Join a panel of experts and historians as they portray the stories of individuals and families, from many lands, who have arrived on our shores. Panelists include Nick Noorani, prominent social entrepreneur, immigrant advocate and author of the best-selling book Arrival Survival Canada.

Lillian Alling: The Cast

Internationally celebrated mezzo-soprano Judith Forst joins a stellar cast for Vancouver Opera’s world premiere production of Lillian Alling, the new VO commissioned opera by Canada’s foremost opera-creation team: composer John Estacio and librettist John Murrell.

Joining Ms.Forst will be Quebecoise soprano Frédérique Vézina, a singer of “ravishing sensuousness” (The Toronto Star), and “golden-toned Canadian tenor” Roger Honeywell (Opera News). Baritone Aaron St.Clair Nicholson brings his “manly, rolling expressive voice and wonderful stage instincts” (Classical 96.3FM) to the cast.

The opera features four major characters: Lillian Alling, telegraph man Scotty Macdonald, and the present-day characters Irene and her son Jimmy. Here's a look at the players.




Quebecoise soprano Frédérique Vézina will create the title role. Praised for her “dark mahogany tone” (The Globe and Mail), Ms. Vézina has been a First Prize winner at the Concours International de Chant and a finalist at the Metropolitan Opera National Council Auditions. She returns to VO for the first time since her moving performances as Mimí in 2008’s La Bohème.








International Vancouver-based superstar Judith Forst, OC will create the role of Irene. Ms. Forst’s long and illustrious career includes regular performances with The Metropolitan Opera and the Canadian Opera Company. She has been called “one of the few truly world-class coloratura mezzo sopranos on the operatic stage” (COC Magazine). Ms. Forst is an Officer of the Order of Canada and a recipient of the Order of British Columbia and was last seen in Vancouver in VO’s 2009 production of Salome.




Roger Honeywell returns to Vancouver Opera to create the role of Jimmy. The Toronto-based tenor “with the right kind of heroic mettle to his voice” (Opera Now) returns to Vancouver Opera for this world premiere, having last sung here in 2008’s La Bohème.










Baritone Aaron St.Clair Nicholson, last seen on the VO stage earlier this year as Count Almaviva in The Marriage of Figaro, creates the role of Scotty Macdonald. The Abbotsford-based Mr. Nicholson is noted for the dramatic integrity he brings to his performances. He has been highly praised for his signature role, Papageno, which he recently sang at The Metropolitan Opera.











Bass-baritone Thomas Goerz (also seen last year in The Marriage of Figaro as Dr. Bartolo) creates the roles of Constable Wyman, Sergei and the mysterious Jozéf.









Tenor Colin Ainsworth creates the roles of Bobby, Kristian and Billy; baritone Gregory Dahl sings Sam and Karl; Calvin Powell sings Charlie and The Drifter.


Left to right: Colin Ainsworth, Gregory Dahl & Calvin Powell

Lillian Alling is a sweeping and dramatic work in the tradition of operas on a grand scale. It is VO’s most ambitious commission yet, with over two hours of music, 8 principal singers, a chorus of 40, a 60-piece orchestra and more than 175 costumes created for this world premiere.

Get your tickets now!

Single tickets starting at $29 (plus handling fee) are available from the Vancouver Opera Ticket Centre, online at www.vancouveropera.ca, or by phone at 604-683-0222.