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Monday, December 28, 2009

Going the Distance for Lillian Alling


Photo by Tim Matheson

Continuing the John Estacio/John Murrell props and excitement on VO's upcoming new opera, Lillian Alling, the Globe and Mail's Marsha Lederman reports on the Lillian Alling run-through that took place right before the holiday break.

Lillian Alling , the first full-length piece Vancouver Opera has ever commissioned for its main stage, will have its world premiere next fall, but about 50 VO donors, staff and colleagues got a preview earlier this month. The first run-through of the opera, by a dozen singers, followed an intensive two-year workshopping process.

The opera, written by Estacio and Murrell, is based on the real-life story of Lillian Alling, a Russian immigrant who arrived in New York in the 1920s and proceeded to walk across the continent to British Columbia. While some details are known about Alling, who has become a part of B.C. lore (and who was the subject of Amy Bloom's 2007 best-selling novel Away ), what isn't known is why she embarked on this journey. So Murrell, the librettist, and Estacio, the composer, had a lot of holes to fill. They built what they felt was an opera-worthy story around the character, with elements of passion, tragedy and surprise.


To read more on VO's brand new opera in the works, click here.

Celebrate the New Year with the Vancouver Opera Orchestra!


Join the Vancouver Opera Orchestra in celebrating the new year with Salute to Vienna as it returns for another sensational performance! Inspired by Vienna’s world-famous New Year’s Concert, Salute to Vienna brings the same charm and beauty to Vancouver. Fall in love with Vienna’s “Waltz King”, Johann Strauss Jr., in an uplifting performance of music, song and dance!

Enjoy a cast of over 75 musicians, European singers and dancers: a brand new cast and a new program features operetta excerpts, popular waltzes, polkas and marches. Guaranteed to inspire and delight!




January 1st, 2010 @ 2:30pm
Orpheum Theatre
$53.50 to $93.50
Tickets: 604-280- 4444

www.salutetovienna.com
www.ticketmaster.ca

Tuesday, December 22, 2009

So This Is What's Called A Lunchtime Poll...



You win five million dollars from the Publisher's Sweepstakes and the same day that that big Ed guy gives you the cheque....

Oops, wrong poll.

Today's lunchtime Twitter poll topic asked: What is your favourite opera?

@LarryDHylton - The Marriage of Figaro...I love the comedic simplicity

@DrGeoduck - Falstaff

@zackhayhurst - Favourite opera has got to be Eugene Onegin

@operafiles - My favourite is Rigoletto by Verdi. Best performance by Pavarotti, E. Gruberova, S.M. Ines

@tenorbrianlee - Puccini's La Boheme

@tonysolitro - Salome, hands down!

@primopromo2 - Walkure no doubt

@colllleen - My vote goes to Turandot!

Check out our friends on Twitter and follow Vancouver Opera on Twitter at @vancouveropera for the inside track.

Our Facebook friends has also chimed in. Everybody wants to play lunchtime poll!

Katie King - The all-purpose answer is "the one I'm seeing next."

Mike Nyby - Falstaff!

Helen Pinsky - Carmen, every time. But I adored Norma - in fact I love most opera that have strong female lead characters.

Jana Miller - Turandot

Caryn Cameron - Tosca! Although not this latest incarnation at the Met. Red dress on a red couch=invisible Tosca.

Damon Chitsaz - Fidelio!

Marlene Johnson - La traviata with Placido Domingo

Carolyn Rapanos - Die Zauberflote

Michael Colbruno - I could listen to La traviata and La boheme every single day. Of the lesser known operas, Iphigenie en Tauride, hands down.

Wendy von Stadt - Le nozze di Figaro, BELLA!

Alessia Todde - Travita

Carmen Hung - Tosca

Russell Wodell - Jenufa

Thanks everyone for playing! In the words of Veronica Sawyer, "How very."

~ Ling Chan, Social Media Manager

Pasta & Puccini: Delizioso



Opera and some yummy in the tummy pasta equals a pretty darn good pairing.

The Vancouver Opera Guild's annual Pasta and Puccini Dinner will take place on Monday, April 12, 2010. As in past years, the Dinner will consist of fine Italian food, magnificent singing from rising young singers from the UBC School of Music and a lively aucton. This dinner has become a "must attend" event on Vancouver's social calendar.

As in previous years, the Dinner will be held at Don Francesco Ristorante, 860 Burrard Street Vancouver, where generous and musical host Francesco will present Vancouver's finest Italian foods and wines in a grand Italian atmosphere.

For tickets, contact the Vancouver Opera Guild at 604.682.2871 extension 5001.

Monday, December 21, 2009

John and John: Artists At Work


Photo by Tim Matheson

Librettist John Murrell and composer John Estacio were featured in last Thursday's Vancouver Sun's Artists at Work, a series of special features examining the creative processes of artists, artisans and creative technicians!

Murrell and Estacio has been hard at work to bring the magic with last week's 10 day workshop of their brand new opera, Lillian Alling. The Canadian opera was commissioned by Vancouver Opera three years ago.

Expectations at the workshop were exceeded as the strong, well prepared singers ran through the material, allowing the creative team to explore and refine the music and direction. Curently, 97% of the opera's music is confirmed.

Lillian Alling will have its world premiere with Vancouver Opera in October 2010. Mark your calendars!

Thursday, December 17, 2009

Another Fab Nixon in China in Vancouver’ Community Event



Turning Point Ensemble

John Adams - Son of Chamber Symphony
Arnold Schoenberg – Chamber Symphony Opus 9
John Oliver – Chamber Concerto

February 24, 2010 at 8pm
Vancouver Playhouse (Hamilton & Dunsmuir)
Single tickets: $20 - $35
www.ticketmaster.ca or 604-280-4444

Perfect Holiday Gift - $5 off til Dec. 20. Promo code – Adams when buying tickets

Share your Golden Memories of VO with us!



We want you to share your favourite Vancouver Opera memories with us. To celebrate 50 years of amazing opera, we’ve started a blog where VO fans can share their memorable experiences with others.

Click here to read memories from Dame Joan Sutherland, Judith Forst and many more.

Looking for the Perfect Holiday Gift?



How about a musical journey to China? Or the music of Mozart or Puccini? Opera tickets make the perfect gift for any Christmas stocking. If you don’t know which of our wonderful productions they’d like, you can purchase a gift certificate. Better yet, buy them a subscription for the rest of the 2009-2010 season!

Call the box office at 604-683-0222 or visit us at 835 Cambie St. (between Robson & Smithe). We’re open 9-5, Mon-Fri including Christmas Eve.

(Yes! We WILL be open Christmas Eve!)

Another Fab "Nixon in China" Community Event



Turning Point Ensemble

John Adams - Son of Chamber Symphony
Arnold Schoenberg – Chamber Symphony Opus 9
John Oliver – Chamber Concerto

February 24, 2010 at 8pm
Vancouver Playhouse (Hamilton & Dunsmuir)
Single tickets: $20 - $35
www.ticketmaster.ca or 604-280-4444

Perfect Holiday Gift - $5 off til Dec. 20. Promo code – Adams when buying tickets

A Few Words from James Wright on Nixon in China



I am very excited – and proud – that Vancouver Opera is presenting the Canadian premiere of Nixon in China. This captivating late-20th century work has been performed in some of the great opera capitals of the world – and is now receiving a brand new production for its long-awaited debut in Canada.

Premiered in 1987 at Houston Grand Opera, the work has seen subsequent productions in cities across the United States including Los Angeles, Chicago, St. Louis and Denver. European audiences have flocked to performances in London, Paris, Amsterdam and Frankfurt. It’s time Vancouverites get in on the excitement!

Canada is a small country when it comes to its number of opera companies. Opera.ca, “the voice of opera in Canada,” lists a membership of 19 companies, of which I would consider 11 to be “traditional” opera companies. The size and geographic and financial diversity of our Canadian opera field makes it difficult to assemble the critical mass necessary to mount big, new productions, especially of new and contemporary work. It is difficult to find partners of similar size and aesthetic to work together on these ambitious projects. Calgary Opera has been a leader over the past decade in developing new work and showcasing contemporary opera, and Pacific Opera Victoria has a commendable history of introducing lesser-known works to its audience. Vancouver Opera has commissioned three previous operas (The Architect, Naomi’s Road and Jack Pine) and will present a world premiere in October (Lillian Alling). But it remains difficult to partner regularly with these or other companies. On the other side of the border, American opera companies don’t usually look north for co-commissioners or co-presenters, as they have plenty of choices at home (there are more than one hundred opera companies in the US).

The Canadian Opera Company (COC) will present Nixon in China in a future season but will be using a fine production developed earlier for a group of American opera companies. While the COC and Vancouver Opera wish to work more closely on joint projects and have been discussing a couple of ideas, our companies developed our individual Nixon in China plans at a time when there was less conversation – and seemingly less in common - between us.

There is another new Nixon in China being presented in Long Beach California in March – just a week after VO’s performances. Long Beach Opera is an exciting company performing unusual repertoire in unusual venues; I’m sure their Nixon will be quite stylized and very interesting. I understand as well that a couple of major American opera companies are considering productions of the work over the next couple of years.

All this activity points up clearly the vitality of this important post-World War II opera and the interest the work generates around the world. I am so glad that Vancouver Opera, with support from the Cultural Olympiad 2010, is presenting a brand new take on the opera and introducing it to Canadian audiences during the 2010 Paralympic Games.

~ James W. Wright, General Director

A Few Words from James Wright on Nixon in China



I am very excited – and proud – that Vancouver Opera is presenting the Canadian premiere of Nixon in China. This captivating late-20th century work has been performed in some of the great opera capitals of the world – and is now receiving a brand new production for its long-awaited debut in Canada.

~ James W. Wright, General Director

To read more of Mr Wright's thoughts on our upcoming Nixon in China, click here.

Wednesday, December 16, 2009

We're A Naughtie Milestone



Oh my gosh! Oh my gosh!

We are doing our happy dance at the office.

Dilettante Music has named Vancouver Opera's manga as one of their picks for landmark achievements in the digital decade (since the turn of the millennium)

"2008, Vancouver Opera: Opera Manga
We could write a whole (and very long) essay about how revolutionary opera companies have been over the past 10 years in an effort to draw in new audiences - the Royal Opera House’s Twitter Opera and the Metropolitan Opera’s Met Player to name just two. But Vancouver Opera’s Opera Manga project was the one that caught our eye for its playful and innovative mash-up of genres. Using the ‘manga’ style, a sophisticated Japanese graphic novel art form, Vancouver Opera created a series of ‘comic strips’ based on streamlined opera plots to make the genre teenage-friendly. The result is some very beautiful artwork that you can see at the operaLive! website"


We had first caught Dilettante's eye earlier this year. See it here.

Kudos such as these just warms the cockles of our hearts. Especially nice as an end of year holiday surprise!

Thank you Dilettante!

~ Ling Chan, Assistant to Managing Director

Monday, December 14, 2009

X-mas Bowl-O-Rama

So who ARE the people behind Vancouver Opera?

You've most likely seen us down at the Queen Elizabeth Theatre during our productions, either zipping around the lobby helping theatre-goers, entertaining donors in the ORT lounge or keeping things running smoothly backstage.

You may have even come across some of us plugging away at the office.

That's all fine and good but have you seen us completely casual?

Dressed in our street clothes?

Bowling?

On Thursday, the staff hung up our evening wear (and office wear) and hit up the infamous Commodore Lanes for a little 5 pin bowling madness. We pretty much commandeered the place, taking up 8 out of the 12 bowling lanes and ordering enough pizzas to stack a mile high.

From bowling novice to darn good bowler (the highest score bowled was 180), everyone enjoyed chucking the balls down the lanes. In rented shoes and everything.

There was lots of laughing (at ourselves and at each others),loads of chowing down on pizza and I'm sure some stiff bowling arms and sore backs the next day. (hey, bowling those balls for 3 hours is no light feat)

All in all, a rollickin' staff Christmas party.

Thanks to the Social Commmittee for setting up Bowl-O-Rama 2009.



Because nobody parties like opera people party.

~ Ling Chan, Assistant to Managing Director

Bursary Award Winners Announced!

Last Wednesday, VO held its annual Amatori Tea at the Four Seasons Hotel. The yearly event is an opportunity to thank members of Amatori dell'Opera who have left a legacy gift to Vancouver Opera Foundation, as well as awarding bursaries to up and coming opera singers and artists.

The event was a success! Everyone enjoyed the British high tea reception of tea sandwiches, scones, devon cream and fruit tartlets, accompanied by a selection of loose leaf teas, coffee, hot apple cider and hot chocolate. The warm and intimate ballroom was the perfect space for all the mingling, award-giving and singing along to Christmas carols.



So without further ado, here are the 2009 Vancouver Opera Foundation Bursary Award winners:

Brian McMaster bursary (Canadian performing artist or participant in opera, funds to be used toward education) was awarded to Amiel Gladstone, stage director.


Director and playwright Amiel Gladstone participated in Vancouver Opera’s Assistant Directors’ Residency Program for which he was Assistant Director on Cavalleria rusticana/I pagliacci and Eugene Onegin. Mr. Gladstone has developed world premieres for theatre companies across BC and Canada including Alberta Theatre Projects, Belfry Theatre, Caravan Farm Theatre, Firehall, Guild in Whitehorse, National Arts Centre, Rumble Productions, Solo Collective, Touchstone Theatre, Theatre Replacement, Theatre SKAM, Western Edge Theatre and Studio 58. Mr. Gladstone is the stage director and dramaturge for Vancouver Opera in Schools newly commissioned opera for young audiences, Jack Pine.


Joe Boxer bursary (BC singer in resident artist programme such as VOIS or YACIN)was awarded to Michael MacKinnon, bass.


Originally from Scotland, Vancouver resident Michael MacKinnon is new to opera. Previous to opera he worked with a variety of music groups in Scotland and the Vancouver area. Mr. MacKinnon is working towards a Bachelor of Music Degree at the University of British Columbia where he has appeared as Alhambra in The Gondoliers and performed in works such as Verdi’s Requiem, Beethoven Symphony No. 9 and Elgar’s Dream of Gerontius. As a member of the Vancouver Opera Chorus he has sung in Fidelio and Eugene Onegin. Mr. MacKinnon toured with Vancouver Opera in Schools as Botanist/White Pine in the newly commissioned opera, Jack Pine by Veda Hille.

Kurt Sickert bursary (Performing Artist with preference given to Canadians training in Canada or improving their skills) was given to Hiather Darnel-Kadonaga, soprano


Originally from Calgary, Hiather Darnel-Kadonaga graduated from the University of British Columbia with a Bachelor of Arts (Opera) and went on to complete a Diploma in Vocal Performance at Mount Royal College. She has studied with Elizabeth Johnson and Marisa Gaetanne. Miss Darnel-Kadonaga has performed Adina in L’Elisir d’Amore, Pamina in Die Zauberflöte, Gianetta in The Gondoliers and Musetta in La bohème. She sang the role of Piper/Pitch Pine in Vancouver Opera in Schools newly commissioned opera, Jack Pine by Veda Hille.


Toni Cavelti bursary (Aspiring BC Opera Singing Student)was awarded to Sylvia Szadovszki, mezzo-soprano


Sylvia Szadovszki is a graduate of the University of British Columbia (Master of Music) and the Manhattan School of Music (Bachelor of Music). She is currently enrolled in the Opera Diploma Program at the University of British Columbia and studies with Nancy Hermiston. Miss Szadovszki has performed with the UBC Ensemble as Despina in Così fan tutte, Hänsel in Hänsel und Gretel, Cleopatra in Giulio Cesare and the Old Woman in the world premiere of Lloyd Burritt’s The Dream Healer. Miss Szadovszki has performed with the European Music Academy (Czech Republic), Mountain View Festival of Song (Alberta), Artistic Repertory Theater (Florida), Spoleto Vocal Arts Symposium and International Lyric Academy of Rome. She has worked with and participated in masterclasses with various teachers and coaches such as Stuart Hamilton, Rudolf Jansen, Enza Ferrari, Timothy Novle, Nico Castel and Judith Forst.


Barbara Eves-Sharp bursary (Scholarship for singer in VOIS programme)was presented to Adam Fisher, tenor


Adam Fisher grew up in White Rock, BC and graduated from the University of British Columbia with a Bachelor of Music in Opera Performance. Mr. Fisher has performed the roles of Alfred and Eisenstein in Die Fledermaus, Count Almaviva in The Barber of Seville and Marco in The Gondoliers. He has been a member of the Vancouver Opera Chorus and toured with Vancouver Opera in Schools as Jackson/Jack Pine in the newly commissioned opera for young audiences, Jack Pine where he not only sang but played the banjo.

Congrats to all the winners! Many thanks to Four Seasons Hotel for being the perfect host venue and to all those who attended and helped out with the tea! See you all next year!

~ Ling Chan, Assistant to Managing Director

Sunday, December 13, 2009

The Tyee Goes to the Opera



The Tyee has come up with the most awesome of awesome list. Here's their take on debunking some common opera myths:

10 (Bad) Reasons to Hate Opera

1. It’s elitist. Actually opera started out and still is popular entertainment. It is not the exclusive privilege of the upper class. There’s no club you need to join to be an opera fan. You like it? You’re in. And perhaps even curious enough to catch a live performance. In some places the audiences eat and drink and talk and laugh out loud during shows. They cheer their favourite singers and hoot down the ones who don’t measure up. These are real opera fans.

2. It’s boring. It certainly can be, like a hockey game hijacked by two trapping teams or a film with Kevin Costner. But operas are written to excite and shock and pummel the emotions. They tend to go for the swoop of the grand theme and the thrill of the quick kill. If sex, murder, war, obsession, torture, love, politics and more murder don’t interest you... you might take a good look in the mirror. Maybe you’re the boring one?

3. It’s expensive. It’s (mostly) true that opera tickets aren’t cheap. You can’t avoid the fact that it takes a lot of money to produce a live musical drama. Consider a platoon-load of performers, set-builders, lighting crew, ticket-takers, as well as the administration, months of rehearsals, public relations, and the list goes on. But you can still become a true aficionado without spending a dime.

Start with the free live radio broadcasts every Saturday afternoon. Vancouver’s own Bill Richardson hosts a recorded selection of something intriguing each week leading up to the Met Opera broadcast season starting this year on Saturday Dec. 12. When you tune in to the Met, you know you’re listening to some of the greatest singers available together with opera lovers around the world. Imagine the pressure on the prima donnas and primo uomos not to crack on that high note.

For more freebies, check out the wide selection of DVDs and CDs at the Vancouver library (if they don’t lock the doors and turn off the lights on our multi-million-dollar investment to save a fraction from the city budget). Lastly, about those outrageously expensive tickets: the cheapest seats (bring your own binoculars) start at $29. You can subscribe to the entire four-opera season for $99, less than you might drop on a hockey game or meal in a fancy restaurant.

4. It’s for oldsters. The Vancouver Opera just launched Get O.U.T. (Opera Under Thirty), a discount program to allow those aged 18 to 29 to buy great seats for just $25. Those of us above that mark ought to be rattling our walkers in rage at the ageist implications, but what can you do? Whippersnappers.

5. It’s irrelevant. The same stories that amused, depressed or delighted audiences hundreds of years ago still have that effect today. Old operas from the classic era are based on themes which, like those of Shakespeare plays, don’t go out of style. Better yet, opera is still alive. Later this season, the Vancouver Opera will do John Adams’ much-anticipated Nixon in China. Next year the Vancouver Opera will debut a Canadian work so new it’s still being written: Lilly Alling is based on the true story of a Russian woman who arrived in New York in 1920 and walked all the way to B.C. because she couldn’t find her train ticket. I’m not making that up, except for the part about the train ticket.

6. I don’t speak Italian. Opera isn’t just in Italian. It’s a global art form that comes in all languages. Philip Glass even wrote one in Sanskrit. The language is important, but perhaps more for the musical flow and rhythm of the words. The meaning you can get from the subtitles included at live performances. A quick glance at the lines above the stage is enough to give the drift, then you’re free to focus back on the action while the music, including the rippling (Italian?) or assertive (German?) syllables of the words washing over you.

7. I don’t own a tux/gown. This is Vancouver, where "elegant attire" means your fleece liner matches your raincoat. Some do get into dressing up for the opera, and even head as a group to the used clothing store to get some swellegant threads for an opening night romp. But you don’t have to. There’s no dress code. At one opera I actually saw someone in sweatpants! Okay, it was me, and they were nice sweatpants, but the point is: you bought the ticket, it’s your seat, and you can sit in it wearing whatever you damn well please. In any case, you won’t feel out of place in jeans since there’s bound to be someone in shorts nearby.

8. It’s a bunch of oversized galoots with Viking helmets. No, that would be football. Real opera singers don’t fit the stereotype any more than the nerdy scientist or the ass-crack-flashing plumber. Which is to say, yes, some of the stars are huge, but they come in all shapes and sizes. One thing they share is a remarkable physical ability. Think of them as the equivalent of Olympic sprinters, specialists who can push a combination of great genes and intense training into a high-performance pursuit that always verges on the edge of a blowout. It never fails to astonish me to hear how someone can project a single human breath above several dozen people furiously blowing, hammering or sawing away at instruments... and do it so beautifully you might want to cry.

9. I’m no expert. Yes you are. You have all the expertise you need already to know what you like. If you never try, you’ll never know. Opera isn’t music, or drama, or dance, or poetry, or a visual art, it’s all of them at once. A story holds it together, turning the emotions into music. To really "get" opera, you must immerse in it. It wasn’t made to be background music. The best way is to see/hear it in a live performance. But you can also get a lot out of watching a recorded DVD, or by listening to a CD or radio performance while reading a translation of the libretto (script) which you can get from the library or on the net.

10. I know I won’t like it. You’re bound to be right, then, so better luck with another art form. For the still open-minded, you should also know that you don’t have to like the first, or any, of the operas you try. Aficionados get themselves into a lather over their preferred or despised works. It isn’t hard to find a Puccini lover who will swear that Wagner wrote operas only a Nazi could, and should, endure. There’s no right or wrong answer on this test. But when it works for you, when you give yourself up to the experience, be prepared to find something transcendent.

Re-printed with permission from author David Tracey

Friday, December 11, 2009

What's On Your Wall?



No, you are not looking at a picture of our VO Golden Anniversary posters on one of our office walls.

Rather, this photo came in from JP Holecka, Creative Director of Powershift Media and friend of the VO. He even went so far as to mount our posters onto foamcore! You know, for that extra little something something in his office.

Thanks JP for rocking our wall art! Looks great!

~ Ling Chan, Assistant to Managing Director

Monday, December 7, 2009

Making the World Take Notice


Photo by Tim Matheson

Crew Mantle of CommandOpera wasn't the only one who flew out from back east for Norma.

Music columnist William Littler shows us some east coast love and props for Norma, VOIS, connecting with our community and venturing into new and exciting territory.

"In one grand gesture, a small West Coast theatrical enterprise became the first Canadian opera company to make the world stand up and take notice." - The Star

What a way to start our Golden Anniversary season. Party hats for everybody!

~ Ling Chan, Assistant to Managing Director

Norma Behind the Scenes

A big thanks to everyone for making Norma such a grand success! The reviews were a smash all around, from both critics to opera-fans. The renovated Queen Elizabeth Theatre was a hit and provided just the right atmosphere for our season's opener. We surpassed our goal even before the curtain lifted on our last show December 5. What a way to start our Golden Anniversary season!

You saw what went on the stage and in the house, but what about behind the scenes? Wanna relive Norma from another perspective? Well, just hit play for the slideshow.



Thank you again for coming out to Norma! See you at Nixon in China!

~ Ling Chan, Assistant to Managing Director

Sunday, December 6, 2009

Fashion at the Opera: Norma


photos by Ling Chan

To our stylish fashionistas,

Thanks for bringing some style and flava to Norma! Even the winter weather could not deter you in coming out in your fineries!

I wish that I could get every last one of you PYTs pics, but it's a large theatre, three floors, a full house nearly every night and only one teensy intermission.

Hope to snap your pic at Nixon in China!

Sincerely yours,

The Operazza

- Ling Chan, Assistant to Managing Director

Friday, December 4, 2009

Prime Up Those Speakers





This just in!!

Join the COC this Saturday, Dec. 5 at 1 p.m. as The Nightingale & Other Short Fables makes its radio debut on Saturday Afternoon at the Opera.

Listen to the opera at coc.ca and participate in a live chat with host Gianna Wichelow and members of the cast and creative team, including conductor Jonathan Darlington and soprano Simone Osborne.

Maestro Jonathan Darlington is, of course, VO's Musical Director. (we're looking forward to having you return for Marriage of Figaro!)

Soprano Simone Osbourne was awarded VO's 2007 Toni Cavelti Bursary for Aspiring BC Opera Singing Student, as well as participating in our YACIN (Young Artist Coaching Intensive) program. (we're all proud of you!)

Listen in to hear these two rock those airwaves!

~ Ling Chan, Assistant to Managing Director

A Grant For The Up And Comers

The Vancouver Opera Guild will disburse a $6,000 Career Development Grant in June 2010. This Grant will be available to Canadian Citizens and those with Landed Immigrant status between the ages of 20 and 33. The deadline for the receipt of completed applications is April 15, 2010. This year’s grant is available for singers only.

The purpose of the Grant is to help people involved with opera, or those preparing for a career in the operatic field, to improve their skills or to work on a personal project related to opera. The grant is not available to students for the completion of a music degree, but is designed to assist those not yet fully established in a professional career.

Grant applications will be judged by a jury of three members of the operatic/artistic community on the following points:

- potential of the applicant
- merit of the project
- artistic/operatic background

The Grant will be made available at the start of the successful candidate’s project. The recipient must send a report on the project to the Vancouver Opera Guild not later than three months after its completion.

Further information and application forms available from:

Mrs. R. Michael LePage
9531 Neill Place
Richmond, BC
V7E 5J6
Tel: (604)274-2729

Les Dala: Stellar Music Maker



This just in! VO is pleased to hear that our very own Chorus Director and Associate Conductor, Les Dala, has been appointed as the new Music Director of Vancouver Bach Choir! Way to go, Les!

Here's the new release from Vancouver Bach Choir:

Anthony Roper, President of the Vancouver Bach Choir, announced today the appointment of Leslie Dala as Music Director of the choir, effective July 2010. On behalf of the choir, Mr. Roper expressed great pleasure at the appointment and the expectation of many years of stellar music making.

As Music Director designate, Mr. Dala agreed, "I am thrilled to be chosen as the new Music Director of the Vancouver Bach Choir. This is one of Canada's most acclaimed choirs and it is a great honour to succeed Bruce Pullan who has left a remarkable legacy during the course of his tenure. It is never an easy time when there is a changing of the guard, but I relish this opportunity and I look forward to the challenges ahead and to working with this wonderful ensemble in exploring the great works for chorus and orchestra”.

Described as “a dynamic young conductor, equally at home with symphonic music, opera and contemporary work”, Leslie Dala is in demand across Canada. He has been Music Director of the Prince George Symphony Orchestra for the past seven seasons, Chorus Director and Associate Conductor with the Vancouver Opera for five seasons and was recently appointed Principal Conductor of the Vancouver Academy of Music Orchestra.

During his tenure with the Prince George Symphony the orchestra has given many first performances of important works from the 20th Century as well as several premieres of newly commissioned works. As Chorus Director and Associate Conductor of Vancouver Opera, Leslie has assisted with over fifty main stage productions and conducted the company premiere of Kurt Weill’s Threepenny Opera, and Verdi’s Rigoletto.

Leslie Dala’s experience and interests fit well with the Vancouver Bach Choir, a 150 voice ensemble specializing in symphonic choral music. Through its own series of concerts presented at the Orpheum each season, the choir has become known for presenting the Canadian or British Columbian premieres of many important choral works such as Mahler’s 8th Symphony, Berlioz’ Messe Solennelle, Andrew Lloyd Webber’s Requiem and Paul McCartney’s Liverpool Oratorio as well as a broad spectrum of music from the symphonic choral repertoire. The choir has made several successful films for television including Whalesong, the Gemini Award-winning film of its Expo 86 concert, and has undertaken numerous national and international tours, singing from London to Tokyo and from Warsaw and Paris to Toronto and Calgary.

Once A Norma Lover, Always A Norma Lover

In 1960, Vancouver Opera made its debut in our fair city. Three years later, VO produced a legendary Norma with Maestro Richard Bonynge at the helm and soprano Joan Sutherland on the stage.

For VO's 50th Anniversary, it was only fitting to have Maestro Bonynge return to conduct Norma once again.

And for both performances, Heimke Haldane was in the audience.

Heimke was 21 when she saw Norma the first time around. Having grown up listening to Opera at the Met on the radio with her mother, Terrace B.C. born and raised Heimke came to appreciate opera at a very young age. Her parents were Vancouver Opera subscribers in the '60s and Heimke watched her first opera, The Magic Flute, when she was just 10 years old. On a family vacation to Germany, no less.

Since then, Heimke has always been involved in the arts; coming down to Vancouver 2-3 times a year to take in a show.

Having been to the 1960 Norma, what were Heimke's thoughts on second coming of Norma?

She LOVED it. Heimke thought Hasmik Papian as Norma and Kate Aldrich as Adalgisa perfectly complemented each other and that the music was absolutely wonderful. As well, she was wowed by the gorgeous renovations of the Queen Elizabeth Theatre.

The timing was perfect as she just found her original Norma program with, signed by Bonynge and Sutherland from the 1960 post-party reception. This time around, Heimke brought down her book, Bravo! The History of Opera in British Columbia for the Maestro to autograph at the backstage party.

So what's next for Heimke and her opera adventures?

She'll be in Italy, during the Christmas holidays, watching her son compete in a volleyball tournament. And going to Carmen at La Scala, of course.


Heike with Maestro Bonynge at the backstage party

~ Ling Chan, Assistant to Managing Director

Thursday, December 3, 2009

A Few Words From Senator Jack Austin

I am very pleased to turn today’s Nixon in China blog space over to Senator Jack Austin, a great friend of Vancouver Opera and a valued advisor to our Nixon in China project.

Jack Austin has seen the changes in China year after year since 1971. As a Canadian Senator, he chaired the Canada China Legislative Association. From 1993 to 2000 he was President of the Canada China Business Council. Senator Austin has met and worked with every Premier of China from Zhou En-lai in 1971 to Wen Jiabao today.

~ James W. Wright, General Director

To delve into Jack Austin's memories of that era, click here.

Wednesday, December 2, 2009

Twenty Questions with Alain Coulombe



No stranger to the Vancouver Opera stage, Canadian bass Alain Coulombe impressed us all with his portrayal of Don Fernando in Fidelio, as well as Zuniga in last season's Carmen. For Vancouver Opera's Golden Anniversary season, Coulombe is singing the role of Oroveso in the season's opener of Norma. A favourite among critics and the opera-going public, Coulombe is one of the most commanding and exciting singers of his generation.

Guilty musical pleasure?
Jazz, instrumental and vocal; they have the highest position on my music list.

Where do you love to sing?
Anywhere there is a fair combination of talent, passion, fun, dedication, intelligent concept, music making and stage direction, as well as genuine egoless work and collaboration between all the creative teams on the production.

What is your idea of earthly happiness?
Family, love, creativity, humility, compassion, forgiveness.

To what faults do you feel most indulgent?
Since I have a tendency to over indulge in the bliss of good food, in order to keep an ideal weight and stay in good physical shape, I apply a simple equation to my life: As long as I burn as much energy as I take in, I don’t gain weight. It’s as simple as that!

Who are your favourite heroes/heroines of fiction?
The characters from Pride and Prejudice by Jane Austen. The complexity of conversations, the language of the time and the numerous rules about social etiquette are fascinating.

Who are your favourite characters in history?
The great peacemakers, the people who have the courage to fight against discrimination, and change the face of the world by their actions and dedication.

Who are your favourite heroes/heroines in real life?
My parents and my partner, for their amazing attitude towards life and for their true understanding of love, compassion, sharing, forgiveness, resilience and joy.

Who is your favourite author?
WOW! I like so many authors... it changes with the seasons of life! Right now, I am reading Joseph Boyden.

Your favourite musician?
Way too many! From Keith Jarrett to Miles Davis and from Christa Ludwig to Cesare Siepi, there is a world of amazing musicians and singers that I admire!

Your favourite composer?
Same here! Between jazz, classical, folk, world music, so many options! I think Richard Strauss was in a class apart, as well as Bach. Monteverdi, well he started the whole opera thing... Joni Mitchell, a genius, ageless... And I haven’t even put a foot into the ocean of jazz and world music yet... impossible to choose!

What quality do you most admire in a person?
Honesty. I highly respect people who have the courage not to play games and show themselves with their strengths, weaknesses, vulnerability and truth.

Your favourite virtue?
Forgiveness, compassion.

Your favourite occupation?
Besides being on stage, it is interior design and home renovations.

What did you want to be as a child?
A doctor, a dentist, a priest, a concert pianist! I pretty much have been every one of these on stage at some point now!

Your most marked characteristic?
My ability to give everything I have on stage, day in day out. Many colleagues and friends would tell you that I am always friendly with people, generous, but that I have also a very private side, which is true. Solitude is a vital thing for me! It keeps me grounded and sane.

What do you most value in your friends?
Their unconditional love, respect and compassion.

For what would you like to be remembered?
I would like to be remembered for having been my true self in every moment of my life, and for having shared my talents with people with generosity and passion. I would like to be remembered by my loved ones for my sensibility, my compassion, my unconditional love.

What natural gift would you most like to possess?
The gift to swim like a fish, without the goggles, the nose band, etc...

What is your motto?
“Feet on ground, heart in hand, facing forward, be yourself.”

What non-opera song do you rock?
I can belt quite well some of Michel Legrand’s greatest hits.

Second Round Norma Reviews


Photo by Tim Matheson

A couple more review trickling in about the Norma opening last weekend.

"In fact, the singing in this opera is simply mind-blowing; it is constant, it is varied, and it is deeply stirring." - Epoch Times

"...Hasmik Papian's electrifying voice had me in goosebumps all evening long. The duets between Norma and Adalgisa are almost unbearably beautiful - so exquisitely precise and powerful, I didn't know whether to weep or jump out of my seat." - Vancouver Sun

"Richard Margison, B.C.'s own world-class tenor, filled the shoes of Norma’s illicit partner Pollione with effortless grace. He had the well-rounded tones to test the Queen Elizabeth’s new sound upgrade, and both could be given high marks." The Tyee

Also check out the Tyee debunking opera myths with their awesome 10 (Bad) Reasons to Hate Opera list!

~ Ling Chan, Assistant to Managing Director

Tuesday Trivia: Belli Bellini

To say that Vincenzo Bellini was well loved in his native Catania region of Sicily would be an understatement. Bellini is considered by some to be the quintissential "bel canto" composer of opera. Test your knowledge of the "Swan of Catania" with this Tuesday Trivia.


1. There's one degree of separation between Bellini and Freddy Mercury. Who is it?
2. In Naples he studied under what noted composer of his time?
3. Bellini wrote his first opera at what age?
4. In what year did Bellini's first opera premiere at La Scala?
5. What was that opera?
6. There is one degree of separation between Bellini, Donizetti and Rossini. Who is it?
7. A performance of Norma inspired landmark tree to be named after it. Where?
8. Giuditta Pasta, who created the role of Norma, created what other notable Bellini role?
9. Bellini was superstitious. What evil omen did he receive shortly before his death?
10. Where is there a gravestone but no remains of Bellini?

Enter your guesses as comments and we'll post the answers next week!

Tuesday, December 1, 2009

Blogger Love for Norma

Here are some pics of our wonderful bloggers from the opening night of Norma:


from left to right: Gus Fosarolli, Emme Rogers, Crew Mantle, John Biehler and Kelsey Dundan.





Despite some technical difficulties, we were pleased as punch to have them join us in blogging and tweeting our big nite. I think they liked us too.

To read all about their experiences, go here:

Gus Fosarolli

Emme Rogers

John Biehler

The Anthology

And our special guest blogger, Crew Mantle, who flew all the way in from Ottawa (yes, the one in the carnivale mask)

CommandOpera

Many thanks and mad props to all our bloggers!

~ Ling Chan, Assistant to Managing Director

So What Did YOU Think Of Norma?

Wonderful. Fabulous. Amazing. Absolutely incredible. Very powerful.

These were some of the adjectives to describe what theatre-goers thought of Norma, the opening opera of our Golden Anniversary season.

Some more words would be:

That was totally outstanding. In every way.

This was the best production of Norma that I've seen in a long time.

The set was fantastic. The lighting, the way that it changed to suit the mood was brilliant.

I love the duet between the 2 women. The soprano and the mezzo. I thought they were fabulous together.

The singing was flawless. The music was flawless. A great cast. A great production. Great scenary. It was a beautiful show.

Press play for all the blush-inducing audience feedback from Norma.


Video by Bombshelter Productions & Mike McKinley

Get your tickets now! Only 3 performances left! Call 604-683-0222 to speak to our box office.

And see you down at the theatre!

~ Ling Chan, Assistant to Managing Director