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Saturday, October 31, 2009

Twenty Questions with John Arsenault

An active tenor with Vancouver Opera Chorus, John Arsenault has appeared in minor roles in Salome and Fidelio. John recently turned heads as Pinkerton in Vancouver Island Opera's production of Madame Butterfly. John will help kick off the season with his role of Flavio, a centurian, in Vancouver Opera's Norma.




Guilty musical pleasure?
I love lots of different music, and I don’t believe in guilt!

Where do you love to sing?
In the shower or in my car, or better yet on the operatic stage.

What is your idea of earthly happiness?
A beautiful tropical beach, or an old European city to explore.

To what faults do you feel most indulgent?
Good food… and the TV show LOST. Did I mention LOST?

Who are your favourite heroes/heroines of fiction?
Well, the ones I know best are characters in operas… but I love all the characters in La Boheme. I don’t know why, but I have always been very drawn to that story.

Who are your favourite characters in history?
Martin Luther King Jr., Mother Teresa, da Vinci, Shakespeare, and so many more.

Who are your favourite heroes/heroines in real life?
Terry Fox, Nelson Mandela, the Dalai Lama, pretty much anyone who gives of themselves to make the world a better place.

Who is your favourite author?
Ken Follett for his “Pillars of the Earth”

Your favourite musician?
Maria Callas, cliché but absolutely true. She’s thrilling.

Your favourite composer?
Puccini

What quality do you most admire in a person?
Authenticity

Your favourite virtue?
Compassion.

Your favourite occupation?
Opera singer or conductor, I love them both equally.

What did you want to be as a child?
A medical doctor.

Your most marked characteristic?
I make people laugh (on purpose!)

What do you most value in your friends?
Honesty and trust.

For what would you like to be remembered?
Being a good person who cares about other people.

What natural gift would you most like to possess?
A fast metabolism.

What is your motto?
You get what you give.

What non-opera song do you rock?
Brian Wilson by the Barenaked Ladies.

Friday, October 30, 2009

Operabot #8 Has Landed!

The Mirimichi blitzkrieg continues!

Up for your consideration as master of the universe is John Landry's animated short on The Marriage of Figaro. Don't you just love the heavy rock guitar riff when the credit rolls? Good work.



Contest runs until November 1, 2009.

Three winners will be chosen by a panel of judges from Vancouver's leading animation studios. One winner will be chosen by popular vote. The judging will take place at a special screening party we'll be hosting! (details to come!)

So tell your friends and make sure to vote for your favourite animated shorts!

Operabot is sponsored by The Georgia Straight



~ Ling Chan, Assistant to Managing Director

Operabot #7 Has Landed!

Another day, another invasion!

Boy, the advancing army of Operabots from NBCC Mirimichi just won't stop. It's an onslaught, I tell ya.

But we got a Norma! Kudos to Jessica Bannister and Steve Cyr for their submission. And like any good animator, they have a blog y'all can check out:

www.stevesdrawingboard.blogspot.com
www.jaysdoodlez.blogspot.com

Don't you just love them big-as-saucers eyed cartoon figures?



Contest runs until November 1, 2009.

Three winners will be chosen by a panel of judges from Vancouver's leading animation studios. One winner will be chosen by popular vote. The judging will take place at a special screening party we'll be hosting! (details to come!)

So tell your friends and make sure to vote for your favourite animated shorts!

Operabot contest is sponsored by The Georgia Straight



~ Ling Chan, Assistant to Managing Director

Thursday, October 29, 2009

Operabot #6 Has Landed!

Resistence is futile. We will be assimilated.

The Operabot collective from the east continue their rampage on the Vancouver Opera office!

Operabot #6 comes from Stephanie Basque, Year 2 animation student from Mirimichi NB.

Will we ever see the sun rise again from the east?



Contest runs until November 1, 2009.

Three winners will be chosen by a panel of judges from Vancouver's leading animation studios. One winner will be chosen by popular vote. The judging will take place at a special screening party we'll be hosting! (details to come!)

So tell your friends and make sure to vote for your favourite animated shorts!

Operabot is sponsored by The Georgia Straight



~ Ling Chan, Assistant to Managing Director

Operabot #5 Has Landed!

The eastern skies are still thick with Operabot invasions! It's unrelenting!

Operabot #5 comes from Curtis Carey from Mirimichi, NB. Oh, and this Operabot has a blog too! A double threat in this war of the 'bot worlds!



Contest runs until November 1, 2009.

Three winners will be chosen by a panel of judges from Vancouver's leading animation studios. One winner will be chosen by popular vote. The judging will take place at a special screening party we'll be hosting! (details to come!)

So tell your friends and make sure to vote for your favourite animated shorts!

Operabot is sponsored by The Georgia Straight



~ Ling Chan, Assistant to Managing Director

Operabot #4 Has Landed!

Unstoppable. VO is being taken over by Operabots from NBCC Mirimichi in a big way! They're coming in hard, fast and heavy.

In the words of the deep and ever prolific Neo from The Matrix, "Whoa."

Bow down in submission to our fourth Operabot from Laura Charlton and her animated short about The Marriage of Figaro.



Contest runs until November 1, 2009.

Three winners will be chosen by a panel of judges from Vancouver's leading animation studios. One winner will be chosen by popular vote. The judging will take place at a special screening party we'll be hosting! (details to come!)

So tell your friends and make sure to vote for your favourite animated shorts!

Operabot is sponsored by The Georgia Straight



~ Ling Chan, Assistant to Managing Director

Operabot #3 Has Landed!

A definite invasion is going on. Operabots are fast approaching Vancouver Opera.

Our third submission comes from Brad Lamey from NBCC Mirimichi in New Brunswick.



Something is cooking over in the east coast, me thinks. Operabot #3 and Operabot #2 are from NBCC Mirimichi. They're combining forces to take over Vancouver Opera. This could be trouble.

Contest runs until November 1, 2009.

Three winners will be chosen by a panel of judges from Vancouver's leading animation studios. One winner will be chosen by popular vote. The judging will take place at a special screening party we'll be hosting! (details to come!)

So tell your friends and make sure to vote for your favourite animated shorts!

Operabot is sponsored by The Georgia Straight



~ Ling Chan, Assistant to Managing Director

Calling All Students! A Special Offer for You!

We know how hard it is for students, what with the cost of tuition and books, to go out for a fun night at the opera. So just for y'all, here's a special student deal for the Golden Anniversary Concert on Friday, November 6.

New to opera? This is your opportunity to listen to "the best of" opera hits!

Call the ticket office at 604-683-0222 or purchase your tickets online at www.vancouveropera.ca. Quote Promo code #2231



Take that much needed break from cramming and pulling all-nighters to come to the opening season concert event!

Now for the fine print: Student pricing are available in sections A-E and can not be combined with any other offers or replace previously purchased tickets.

Wednesday, October 28, 2009

Operabot #2 Has Landed!

Our second Operabot submission has just been uploaded onto our Youtube channel!

Congrats to Kristie Nutter from Mirimichi, NB who is our very first Canadian submission. (a full-scale Operabot attack from both the Canadian and American side has begun)



Contest runs until November 1, 2009.

Three winners will be chosen by a panel of judges from Vancouver's leading animation studios. One winner will be chosen by popular vote. The judging will take place at a special screening party we'll be hosting! (details to come!)

So tell your friends and make sure to vote for your favourite animated shorts!

Operabot is sponsored by The Georgia Straight



~ Ling Chan, Assistant to Managing Director

Operamania 101: The Attack of the Killer Bees!

There just SOMETHING about The Flight of the Bumblebee! Not only do we recognize it from the Green Hornet tv series from yesteryear, but various artists such as jazz artist Al Hirt, rockabilly Brian Setzer and heavy metal band Manowar have put their own unique spin on the tune.

And if you can believe it, Brazilian Tiago della Vega absolutely shredded his guitar breaking the 2008 Guiness World Record for fastest guitar playing with The Flight of the Bumblebee at 320 beats per minute.

And perhaps not quite as exciting, this score has also been used in adverts for butter, mobile phones and allergy medications.

This little humble tune is the orchestral interlude from Russian composer Nikolai Rimsky-Korsakov's opera, The Tale of Tsar Saltan, which was based on the Alexandr Pushkin poem of the same name.



The tune, written in 1899, closes Act III, Tableau I. This little frantic piece of music is such a challenge for musicians to play, with its uninterrupted runs of chromatic sixteenth notes.

And exactly how it makes one feels, there is a sense of urgency with the piece, as the magic swan-bird transforms Prince Gvidon Saltanovich into a flying insect so that he can visit his father, the Tsar. (who doesn't know he's still alive) It is interesting to note that in the actual opera, there are lyrics to this tune, which the swanbird sings.

Most recently, The Flight of the Bumblebee have been tied to women who absolutely kick butt.

In 2003's Kill Bill movie by Quentin Tarantino, it's used in the pivotal scene where Uma Thurman boards an airplane to Japan to have the ultimate showdown with Lucy Liu. The tune was given a trumpet treatment, for that kitschy and swingin' 60s feel that's prevalent in Tarantino's other movies, such as Pulp Fiction.



But what's even more butt-kickingly awesome is Shanghai cellist Tina Guo's heavy metal take on the bumblebee. You can also check her out without the gold bodypaint, as she plays the tune in the studio here.



Guo has played as a soloist with San Diego Orchestra, but has crossed over into other musical genres by playing with Foo Fighters, Stevie Wonder, Josh Groban, John Legend, Chris Isaak, Il divo and her own progressive metal band, Off the Deep End.

She has performed at the Grammys, MTV Movie Awards, the Jimi Hendrix tribute concert in Rio and Comic-Con where she played with the Battlestar Galactica Orchestra. Guo is also featured as cellist for both the Iron Man 2 and Sherlock Holmes scores.

And all by the age of 23.

From the humble little beginnings of being just a musical interlude to "I am woman, hear me roar", The Flight of the Bumblebee sure packs a sting!

~ Ling Chan, Assistant to Managing Director

Nixon in China: The Creative Team



We have assembled an outstanding creative team for our new production of Nixon in China. I may be the tiniest bit prejudiced, but I don’t think a finer team of creative thinkers or masters of their craft could be brought together.

I am in awe of John DeMain’s musical leadership over the years and of his mastery of new and contemporary works and Michael Cavanagh is one of my absolute favourite directors and creators of new productions. A special tip of the hat to Parvin Mirhady how has run our costume department for years. My respect for her creativity is matched only by my amazement for her speed under pressure!

Last week I spoke about the production of Nixon; today I am pleased to introduce to you those whose imagination and skill are bringing it to life...

Thirsting for more? Clickety click our Nixon in China blog!

Norma To Kick Off Golden Anniversary



Norma is one of the great bel canto masterpieces. Vincenzo Bellini’s haunting melodies, dramatic scene-painting and tender and intense emotions have been praised by no less than Richard Wagner, who loved the opera’s rich flow of melody and deep glow of truth.

The role of Norma is considered one of the most difficult in the soprano repertoire, not only for the vocal control required, but also for the tremendous range of emotion: romance, maternal love, friendship, jealousy, murderous intent and resignation. The aria “Casta Diva” was one of the most familiar of the nineteenth century and remains popular today. Norma has also been a signature role of Maria Callas, Beverly Sills and others.

Norma premiered at Teatro alla Scala in Milan on December 26, 1831. Unlike Bellini’s other operas, the premiere was a fiasco, yet the second and all subsequent performances were received with extraordinary acclaim.

Although Norma is considered one of the best examples of bel canto with its lyrical singing, it was also innovative for its long, sustained melodies, dignified fervour and feeling of earnest truth. Richard Wagner praised it: “I admire its rich melodic vein together with its most intimate passion; a score which speaks to the heart and is the work of a genius.”

We're kicking off our Golden Anniversary with Norma on Saturday, November 28, 2009, with subsequent performances Tuesday, December 1, Thursday, December 3 and Saturday, December 5. All performances take place at the Queen Elizabeth Theatre, Georgia and Hamilton Streets, Vancouver B.C. and begin at 7:30 p.m.

Single tickets starting at $29 (plus handling fee) are available from the Vancouver Opera Ticket Centre, online at www.vancouveropera.ca, or by phone at 604-683-0222. Visa, MasterCard and American Express are accepted.

Groups: For special pricing for groups of ten or more, call 604-683-0222.

Tuesday, October 27, 2009

The Return of Maestro Richard Bonynge



Legendary maestro Richard Bonynge returns to VO after beginning his 47-year career at the very same podium in 1963. On stage will be Armenian soprano Hasmik Papian, one of the world’s most in-demand Normas; celebrated Canadian tenor Richard Margison, fresh from performances of Aida at The Metropolitan Opera; and fast-rising mezzo-soprano Kate Aldrich, who has been getting rave reviews everywhere she sings.

This haunting and dramatic opera of love across enemy lines has only been performed in Vancouver three times, the last time being almost 20 years ago. Norma was first staged by VO in 1963 under Founding Artistic Director Irving Guttman, with rising young stars Joan Sutherland and Marilyn Horne. For this Golden Anniversary production, original conductor Richard Bonynge is back 46 years later, ready to again lead this tender and intense opera.

The Story in Brief
Ancient religion and modern military force clash in this gripping and tragic tale. Passion leads to death when Norma, a powerful Druid priestess, has a secret affair – and two children – with Pollione, the commander of the occupying Roman army. When she discovers that Pollione has seduced a young acolyte, Norma faces her own terrible guilt and pays for her betrayal of her people through a shocking act of self-sacrifice. Read a full synopsis at www.vancouveropera.ca.

The Singers
Making her VO debut is Armenian soprano Hasmik Papian, who has appeared at The Metropolitan Opera and in leading houses around the world. Ms. Papian is featured on the definitive DVD version of Norma, on the Pro Arte label. She is sure to impress with raw emotion and vocal fireworks as she takes on one of the most difficult opera roles in the repertoire.

Canadian tenor (and Victoria native) Richard Margison, sings Pollione, the Roman commander whom Norma cannot resist. Mr. Margison, who last appeared with VO in memorable performances as Florestan in 2008’s Fidelio, has been described as “magnificent”, “sublime”, and “radiating”.

Also making her VO debut is mezzo Kate Aldrich as Adalgisa. Among many roles, Ms. Aldrich has been praised for her fiery Carmen at the Met and San Francisco Opera, and for her touching Adalgisa in Miami. “In many ways the American mezzo-soprano Kate Aldrich stole the show... Aldrich is destined for operatic stardom!” raved the Miami Coral Gables Gazette.

Bass Alain Coulombe, who charmed audiences as Zuniga in last season’s record-breaking Carmen returns to sing the archdruid Oroveso.

Also appearing are John Arsenault as Flavio and Barbara Towell as Clotilda.

Conducting the Vancouver Opera Orchestra and Vancouver Opera Chorus (Leslie Dala, Chorus Director) will be celebrated Maestro Richard Bonynge. Maestro Bonynge conducted his first opera, Faust in Vancouver in 1963. That same year he conducted Joan Sutherland and Marilyn Horne in the now-legendary performance of Norma. During his tenure as VO’s Artistic Director during the 1970s, he founded the VO Orchestra, which gave its first performances in 1977. VO is pleased to salute the company’s venerable history by welcoming Maestro Bonynge to the podium to kick off the Golden Anniversary season.

The stage director is Emmy-nominated Tazewell Thompson, who helmed VO’s memorable production of Dialogues of the Carmelites in 2005. Born in New York City, Mr. Thompson wrote and directed the acclaimed musical Constant Star. He was nominated for an Emmy Award for Best Director for the televised performance of his production of Porgy and Bess.

Opening night is Saturday, November 28, 2009, with subsequent performances Tuesday, December 1, Thursday, December 3 and Saturday, December 5. All performances take place at the Queen Elizabeth Theatre, Georgia and Hamilton Streets, Vancouver B.C. and begin at 7:30 p.m.

Single tickets starting at $29 (plus handling fee) are available from the Vancouver Opera Ticket Centre, online at www.vancouveropera.ca, or by phone at 604-683-0222. Visa, MasterCard and American Express are accepted.

Groups: For special pricing for groups of ten or more, call 604-683-0222.

The Golden Quiz


It’s Vancouver Operas’s Golden Anniversary!

Our 50th quiz contains GOLD in every answer:

1. First of four operas that comprise Wagner’s Der Ring des Nibelungen
2. Mephistopheles sways the crowd with this aria in Gounod’s Faust
3. An opera in three acts by Rimsky Korsakov
4. He wrote the three act opera, Die Tote Stadt
5. Hector Berlioz’s two act opera, Benvenuto Cellini, portrays his dual careers as artist and what other?
6. A Puccini three act opera was based on this American stage play
7. Authored by Mary Ellis Peltz, published in 1950, this is the story of the Metropolitan Opera 1883-1950
8. Siegfried, disguised as Gunther, steals this from Brunhild in Wagner’s Gotterdammerung
9. Name of opera company at University of London, England
10. Enrico Caruso gave his day’s pay on December 26, 1918 to opera employees – what was it and how did he give it to them?

Monday, October 26, 2009

There Will Be Music



Okay, twist our rubber arm. Here's a lil' peep at the concert program for the Golden Anniversary Gala & Concert:

November 6, 2009
Pre-show Reception and Concert @ Orpheum Theatre
Dinner post-show @ Commodore Ballroom

Bernstein - Candide - Overture
Puccini - Turandot - "Tu che di gel sei sinta"
John Estacio - Lillian Alling - Scene 9
Mozart - Don Giovanni - "Là ci darem la mano"
Richard Strauss - Der Rosenkavalier - "Mir ist die Ehre widerfahren"
Mozart - Don Giovanni - "Dalla sua pace"
Verdi - Simon Boccanegra - "Il lacerato spirito"
Korngold - Die tote Stadt - "Pierrot's Tanzlied"
Bizet - The Pearl Fishers - "Ton coeur n'a pas compris..."
Puccini - Tosca - "Va Tosca"
Johann Strauss - Die Fledermaus - Act 2

Conductor - Jonathan Darlington
Director - Michael Cavanagh
Chorus Director - Leslie Dala

Singers
Tracy Dahl (Coloratura Soprano)
Brett Polegato (Baritone)
Sally Dibblee (Soprano)
Kimberly Barber (Mezzo soprano)
Kathleen Brett (Lyric Soprano)
Benjamin Butterfield (Tenor)
Yalun Zhang (Baritone)
Alain Coulombe (Bass)

Click here to buy concert tickets!
For Gala Packages call the VO Ticket Centre at 604-683-0222

BOV: Le Wrath Di Khan

This week's Bizarre Opera Video (BOV) comes from our friends at Robot Chicken:



It's often said opera fanatics are like Trekkies, now you can combine both in one!


Want to see more of our favorite videos? Join us on Youtube!

(Props to VO fan JennyB for the tip)

Sunday, October 25, 2009

Coming To A Bookstore Near You!



Join Rosemary Cunningham, author of Bravo! The History of Opera in British Columbia, as she accompanies Vancouver Opera's founding artistic director Irving Guttman, legendary conductor Richard Bonynge, and other guests at a free public forum to discuss “The Golden Age of Vancouver Opera.”




This event is part of the Opera Speaks series and is located at the central branch of the Vancouver Public Library (350 West Georgia Street) in the Alice MacKay Room on Monday, November 9th from 7:00-9:00pm.

To celebrate VO’s Golden Anniversary Season, Harbour Publishing and VO are announcing the “Golden Ticket Giveaway.” Within ten random copies of Bravo! The History of Opera in BC distributed throughout BC will be a “Golden Ticket”, a certificate redeemable with the book’s proof of purchase for two tickets to a Vancouver Opera performance. Contest rules apply. Books are available at all major bookstores including Book Warehouse.

Saturday, October 24, 2009

Bar bar bar bar Bar-bar-rina!



Did you read the Georgia Straight a few weeks back?

Soprano Melody Mercredi, who will star as Barbarina in the upcoming VO production of The Marriage of Figaro was profiled in the Arts Scene section!

Vo has been pleased as punch to see this young opera singer's star rise. Melody got her start in the VO chorus and was also selected to participate in the Young Artist Coaching Intensive (YACIN) program. She was the understudy for Mozart's Queen of the Night in 2008's The Magic Flute before taking on the lead role of the Queen for Vancouver Opera in Schools, touring schools and entertaining kids throughout the province.

And now Melody will be making her main stage debut next spring. We couldn't be more excited!

To read the interview, please click here.

~ Ling Chan, Assistant to Managing Director

Thursday, October 22, 2009

Nixon In China Behind the Scenes: Production



It is exciting to be producing a Canadian premiere; part of that excitement resides in the fact that we are creating and building a brand new production: never-before seen scenery, costumes, lighting and video. I know that this will be a Nixon in China production that other companies will want to present for years to come.

Curious for more? Then head over to our new Nixon in China blog...

The 'Bots Are Coming!

Our Operabot animation contest just got its first submission! Kudos to the good folks at Art Institute of Colorado for uploading it on our Youtube Channel today.



Contest runs until November 1, 2009.

Winners will be awarded a plethora of prizes.

Three winners will be chosen by a panel of judges from Vancouver's leading animation studios. One winner will be chosen by popular vote. The judging will take place at a special screening party we'll be hosting! (details to come!)

So tell your friends and make sure to vote for your favourite animated shorts!

Operabot is sponsored by The Georgia Straight



~ Ling Chan, Assistant to Managing Director

Wednesday, October 21, 2009

Operamania 101: You Will Be Converted

The start of the season is almost upon us. With the Golden Anniversary Gala & Concert just around the corner and our first opera of the season opening up November 28, the office has been buzzing with activity. Most of us will be working around the clock to ensure that everything runs seamlessly.

We are now rushing headlong into our busy season, which typically runs from November to May. For me, that means that my dance card is full. Get togethers often take a backseat as I work nights and weekends during productions.

Friends have often asked me what's all the big hullabaloo over opera? What's the appeal? Why do people, season after season, buy tickets to watch such a grandiose form of entertainment? And wondering why and if they could ever get into such a thing?

These questions bring me back to that famous scene in 1993's Philadelphia, starring Tom Hanks and Denzel Washington. Aids ravaged Hanks, preparing for his courtcase with his lawyer Washington, is suddenly overwhelmed with emotion when he catches the aria from Umberto Giordano's verismo opera, Andre Chénier playing in the background.

Like a man possessed (and over-acting), Hanks sways rapturously (with IV unit in tow) as he translate for Washington, the words soprano Maria Callas is singing in La mamma morta. Washington who doesn't know anything about opera is moved and transformed by Hanks explaining the meaning of the aria and his obvious passion for the art form.



I dare say, Washington may have just become a convert right then and there.

Andre Chénier is an opera about the French Revolution with the age old subject of the indifference of the aristocracy and the suffering of the imporverished. High emotions, most definitely.

Based loosely on the real life poet and revolutionary activist, Chénier and Maddalena are so madly in love, they pledge their eternal troth to each other. Gérard, who presides over the revolutionary tribunal, is also in love with Maddalena.

Wanting to get his competition out of the picture, Gérard falsely signs Chénier's death warrant.

Maddalena, having just lost her mother and home to the revolution is now faced with losing Chénier. She sings the heartbreaking La mamma morta.



Gérard has a change of heart and tries to halt the execution of Chénier, but is ultimately unsuccessful.

Maddalena, literally, will not live without her love. She then becomes a condemned woman and joins Chénier to die by guillotine.

With such universe emotions such as love, honour and sacrifice, it's no wonder that people are taken by opera. Some even become hard-core "fanatics." Opera's themes is all about the human condition. The music expresses all the emotions that everybody feels.

Asked why I've come to appreciate opera, I would tell my friends that it's the beauty of the costumes and sets, the intensity of the drama unfolding on the stage, the dedication of all those involved and of course, the music and the singing that reaches to the rooftops and beyond.

I am a believer.

~ Ling Chan, Assistant to Managing Director

Tuesday, October 20, 2009

Sparkly Raffle Prizes at Golden Anniversary Gala!



Holidays coming up and you're wondering what to get for your one and only?

Well, if you're at the Golden Anniversary Gala on November 6, you could have a chance to win a sparkly raffle prize or two. Or even three.

Did I mention that the raffle prizes are from Tiffany & Co.?

Wanna take a peek at what the prizes will be? (of course you do)


Third Prize:
From Tiffany's Somerset range comes a medium-sized modern yet elegant wide mesh bracelet in sterling silver accented with round brilliant diamonds.
Retail value $1650


Second Prize:
Style has a name with this large round dome watch from the Atlas Collection. This watch with a black leather strap was designed with a Swiss quartz resonator movment in sleek stainless steel.
Retail value $2500


Grand Prize:
A pair of Tiffany & Co. earrings from the iconic and stylish Atlas Collection. Diamonds really are a girl's best friend with these open hoop earrings with exquisite round brilliant diamones set in 18 karat white gold.
Retail value $4600

So join us for a swanky night of dining and hob-nobbing with opera lovers, listening to the best voices in the business and a chance to win these fab prizes! Your earlobes and wrists will thank you!

To get in on the full Gala Package, call our Ticket Centre at 604-683-0222. Tix $650 each ($300 tax receipt)

~ Ling Chan, Assistant to Managing Director

There'll Be Cake!


cake by Sweet e's

Celebrate Vancouver Opera’s birthday on November 6th at our Scotiabank Group Golden Anniversary Concert & Gala! Not only will there be fabulous soloists, the VO chorus & orchestra led by Music Director Jonathan Darlington, we’ll also have many delicious cakes for everyone to eat, provided by some of the best bakeries in the city!

Join us in celebrating this great milestone. Concert tickets start at only $19!

For the full Gala Package, join us at a reception before the show, and a sumptuous dinner at the Commodore Ballroom post-concert. $650 ($300 tax receipt)

For concert tickets, click here.
For Gala Packages, call our Ticket Centre at 604-683-0222.

Tuesday Trivia: Season Warmup #4


The Golden Anniversary Season is upon us and we conclude our season warmup quizzes with Norma, opening November 28, 2009. Please join us for the season and try your luck at this last Tuesday Trivia warmup.

Norma - True or False?

1. Norma was first produced on December 25, 1831 at La Scala.
2. “Caro Nome” is the famous aria from this opera.
3. The title role is a Druid priestess.
4. Maria Callas is arguably the most famous postwar Norma.
5. Norma sacrifices her children’s lives to save her own.
6. Norma chooses to die with her lover.
7. Dame Joan Sutherland performed Norma in 1963 at Vancouver Opera, conducted by Richard Bonynge, her husband.
8. The composer, Vincenzo Bellini shares the same birthday (but not same year) as Carmen Murphy, Development Manager, Individual Giving, Vancouver Opera.
9. The composer, Vincenzo Bellini was tone deaf and played drum when he was a child.
10. Bellini lived to the ripe old age of 87.

Post your answers as comments. First one with the most right wins!

Monday, October 19, 2009

Tracy Dahl returns to VO for Scotiabank Group Golden Anniversary Concert & Gala


picture by Tim Matheson

Having delighted audiences as Zerbinetta in Ariadne aux Naxos (photo), Tracy Dahl returns to Vancouver this November for Vancouver Opera’s Scotiabank Group Golden Anniversary Concert & Gala.

Winnipeg-born Ms. Dahl’s effortless flights of coloratura and natural acting abilities have propelled her to the heights of operatic stardom. Opera Magazine has praised her “voice filled with sunshine, rainbows and laser light”, declaring it “deliciously accurate” and “stratospheric”. “Where pure, well-tuned, characterful, and seemingly easy acrobatics through two and a half octaves are required, Dahl is among a relative few who can do it all superlatively well," raved the Calgary Herald.

Ms. Dahl has sung at Carnegie Hall, Houston Grand Opera, The Metropolitan Opera, Hamburg Opera and with the Royal Scottish National Orchestra. She will be returing to VO in March 2010 to sing Chiang Ch’ing in the Canadian premiere of John Adams’s Nixon in China. Learn more about Tracy Dahl.

Don't miss this evening of music, merriment, celebration and surprise guests!
Buy gala concert tickets now! Click here.

To purchase the Gala Package which includes a reception pre-performance, concert then a sumptuous dinner post-show, call the VO box office at 604-683-0222.

Brett Polegato returns to VO for the Scotiabank Group Golden Anniversary Concert & Gala


photo by Tim Matheson

Toronto-born baritone Brett Polegato, who captivated audiences last season with his soulful performance in Eugene Onegin, returns to Vancouver this November for the Scotiabank Group Golden Anniversary Concert & Gala. Mr. Polegato will sing arias and will perform Act 2 of Johann Strauss's Die Fledermaus with a cast that includes sopranos Sally Dibblee and Tracy Dahl, bass Alain Coulombe and mezzo-soprano Kathleen Barber. Jonathan Darlington conducts the VO Orchestra and the VO Chorus in this a once-in-a-lifetime performance.

Mr. Polegato has been praised internationally for his “serious and seductive voice” (The Globe and Mail). He has appeared in nineteen countries, with performances at La Scala, the the Opéra National de Paris, Carnegie Hall and many others. He can be heard as a soloist in the Grammy Awards’ Best Classical Recording of 2003: Vaughan Williams’ A Sea Symphony (Telarc) with the Atlanta Symphony Orchestra under the baton of Robert Spano. Learn more about Brett Polegato.

The concert will feature state-of-the-art video projection on the stage. With this technology, used by the Vancouver Symphony Orchestra for some of its concerts, you'll be able to see the singers and the conductor up close from any seat in the house. SURTITLES will also be projected above the stage so you won't miss a word that's sung!

Don't miss this evening of music, merriment, celebration and surprise guests! Buy concert tickets now! Click here.

For Gala Package tickets, which include a sumptuous dinner and reception after the concert, call the VO Ticket Centre at 604-683-0222.

Opera Speaks Series: Golden Age of VO



Celebrate the Golden Anniversary of the city's grand opera company with special guests including Founding Artistic Director Irving Guttman, Toronto Star music critic William Littler, and legendary conductor (and VO Orchestra founder) Richard Bonynge. Hear stories bout the divas and darlings of opera in Vancouver. Listen to music from VO's production of Norma. Share your stories. It's a time to remember the past and imagine the future!

For more information about Opera Speaks, visit www.vancouveropera.ca

Co-sponsored by Vancouver Public Library.

Monday, November 9, 2009
7pm - 9pm
Alice MacKay Room, Lower Lovel
Central LIbrary, 350 W. Georgia Street
Admission is free. Seating is limited.

BOV: Opera The Destroyer

From our friends at the VDOT and VO fan ArcVancouver:

The Awesome Power of a Fully Operational Opera Mothership






Want to see more of our favorite videos? Join us on Youtube!

Sunday, October 18, 2009

Don't Leave Home Without 'Em

If you’ve even spent more than a week sleeping in hotels and eating in restaurants you are familiar with the concept of getting “road fat”. Roadside diners stop being quaint after three or four days and you begin to realize why you don’t generally eat fries at home. Since touring with VOIS, I have discovered that in order to avoid becoming ‘road fat’ I have to prepare a few meals myself from time to time.

The Instant Pocket Kitchen is a must-have when improvising in hotel kitchenettes. My IPK includes standards from my own kitchen: salt, pepper, oil, garlic, onions, herbs, tea, tin foil, plastic wrap, extra cutlery, Tupperware, a travel mug, and a good knife. Hiather was kind enough to bring along her cooler in which we keep our collective perishables. Despite my previous rave reviews of feasting on the road, having the ability to also prepare my own meals and snacks is liberating. It’s not really about saving money – though that is a bonus – it’s about staying sane, keeping regular and eating breakfast in my pajamas, which I particularly like to do.

The most important thing not to leave behind is a group of about 5 or 6 people who love to cook. In the Queen Charlottes, for example, after an afternoon of kayaking, shopping or hiking, and especially after a day of performing, there was nothing nicer than getting called to dinner by one of my colleagues. Our magnificent meals that week included: delicious chicken curry with yams, sweet potato and carrots / spot-hitting spicy Vietnamese soup / Prosciutto-wrapped pork & goat cheese, roasted parsnips & carrots with new potatoes / hearty tuna & kale marinara on fusilli, macaroni & penne / Chinese green beans, broccoli and black bean pork and the infamous BBQ’d chicken, beets and spinach salad. Adam’s adventures barbequing in the dark cold of Prince Rupert inspired his song “I Need the Beets.”



After such a successful week of good cooking & eating we decided to sign ourselves up for another round. Week 2 was Challenge Week as each night of the tour we found ourselves in a different town and unpredictable culinary conditions. To impress our now discerning palates Jack Pine’s cast boasted an incredible menu: Italian sausages & Bourbon-ed sole in Burns Lake / Wild mushroom risotto & asparagus in Fort Saint James / Prince Georgian stuffed chicken and unbeatable potato salad / Overwhelming Tacos with homemade guacamole and farmers’ market salsa / Spaghetti al molluschi in Chetwynd & barbequed Maui Chicken burgers in Quesnel. If cooking is not an actual VOIS casting requirement, I shall put in a recommendation for next year.



No visit to Burns Lake is complete without an urbanite lunch at The New Leaf Café. This organic, fair-trade, allergy sensitive bistro and coffee house serves reasonably sized sandwiches, wraps, panini, soups & smoothies to its very sub-urban community. Sharing the retail space is Health in Order, a homeopathic and natural foods shop. Run by a nurse who will help you find anything from vitamins to alternative grains to organic produce: it’s an opera singer’s dream. Some of us stocked up on must-have throat remedies while others took advantage of the free face cream samples. One cannot help supporting these incredible local businesses.

After three weeks of hard work driving, performing, cooking, and cleaning I am not alone is saying I am going to miss having dinner made by someone else 5 nights of the week. Though it will be nice not creaming soup with a spatula, cutting veggies on a plate, preparing a meal on 1 ft2 of countertop or cooking a four pot dinner on two temperamental burners, we’ll most definitely miss eating on the edge of a bed and sharing forks.



~ Rebecca Craster, Stage Manager VOIS

Saturday, October 17, 2009

On the Road with Jack Pine II

Hello everybody,

Sorry to have been a while away; but we were in relatively remote climes, with intermittent internet and 'island time' connection speeds. And then we get back to the mainland and the long road home, and the cold(s) that had been smiting down one cast member after another finally caught up with yours truly just outside of Chetwynd, and kept me bundled up, stuffed of nose and slowed of thought process, all the way home. But we are all back safe now, and here are some stories and snaps from the road.

Week 2:
The prospect of a week on Haida Gwaii was thrilling to everyone. The ferry trip to reach the islands, crossing the infamously wild and treacherous stretch of water known as the Hecate Strait, brought more varied reactions; from visceral excitement, to grimaces and reaching for the Gravol. Personally, I inherited a sturdy set of sea legs from my father's side of the family (the MacKinnons of Barra, from the Western Isles of Scotland) and have a real love of the open ocean, so I was on the stoked side of the spectrum.

The trip was to be a night crossing and we spent an ominous night before in Prince Rupert. Gale forces lashed the coast and rattled the windows of the Black Rooster hostel where we were staying, rain hammering out a percussive accompaniment to the wailing wind. I was reading John Vaillant's excellent book 'The Golden Spruce' (and for anyone interested in BC and Haida history, I would highly recommend it). I read some passages aloud detailing just how tempestuous the crossing can be. Tidal gauges have sent back readings of 30+ meter swells in winter storm conditions. So that was nice to consider. The next evening the good ship 'Northern Adventure' sailed and we were on it. And it was nothing but fun. Mild swells a few meters high. Just a gentle swaying which eventually lulled everyone to sleep in their cabin bunks. Good times were to be had out on deck beforehand, with hot rum toddies to keep the whipping squall's chill at bay.

Very early the next morning we were disembarking and in the predawn gray the islands themselves remained an unknown quantity. What was certain was the wonderful hospitality of our host Jenny White and her husband Duncan. We were welcomed into their home, at what is generally considered an anti-social hour, for a truly scrumptious pancake breakfast. And, thus fortified, we set out to find our nearby lodging.

Here's a picture of what emerged from the morning mists as we first arrived to the Spruce Point Lodge.



I have read that Haida Gwaii (which, loosely translated, means Islands/Home of the People) had another name, a longer one, which meant the Islands-that-emerge-from-their-supernatural-concealment, and over the next week, watching the constant play of light through swirling mists, fogs and clouds, I could understand what they meant.

Taking a minute to enjoy that view.



The ladies of the lodge watch and wave as the fellas undertake a potentially hazardous fording of the mudflats at low tide.



Jenny and her family welcomed us back for a turkey dinner with some other friends that evening. It was again delightful. Thank you, Jenny and Duncan. The week passed in a blur of shows, drives, hikes, kayaking and other adventures. It all went way too fast but I am glad for every minute of it. Here are a few more highlights.

On one of our trips to Masset at the north end of the island we took a hike to Tow Hill to check out the tidal blowhole on the rocks below. The blowhole was not spouting, the sea fairly calm, but the hill looked so inviting.



And this is what you see from the top.



From a viewing platform nearby, we took a moment together to appreciate the grandeur of our surroundings. Yeah.



On the way home that day, this young eagle went swooping along down the highway then landed to feast on roadkill. YEAH!!!



Off the highway on the road back is the famous Balance Rock. It really is just sitting there, balanced. But it is really big and heavy, so if you can climb, you can even balance yourself on top without disturbing it. Pressure, time and tide, will eventually change that, but for the foreseeable future it's resting comfortably.



The entire week was a huge blessing and great experience. The island was welcoming, weird and wonderful. A genuine joy to share and discover. We were honoured to perform at the Haida Heritage Center and wish to thank Saguenay Elementary again for the T-shirt's and beautiful moon snail shells. The northern moon snail, or Euspira Lewisiiis a predatory marine gastropod mollusk of quite impressive dimensions (for a snail). They feed mostly on bivalve molluscs by drilling a hole in the shell with their toothy radula, and feeding on the unfortunate organism's soft and fleshy innards. Harsh. I forget that snails are so tough. They commonly hang out under the water, as much as 150 meters down, sliding somewhat slimily along the sea floor or substrate on the slow, steady hunt for scallops to scoff. The shell was traditionally believed to keep bad spirits out of your home, so one would be placed at every door, a small spiral sentry. Anyway, they're beautiful and you can totally hear the sea if you put an ear to it.

A parting picture, and one that I will always remember, is the Spruce Point sunrise. Yeah, something similar would occur each a.m, and we would be there to witness it, before heading off on the road that day. Whoa.



And as for the sunset Adam and I saw on our kayak adventure on our day off... well, I surely can't describe it in words, so here it is.



On the way back we ferried in the daylight. And it was great. Some of us saw a solitary humpback, and though it evaded our lens and was at some distance, it was still so sweet. The wild nature tour continues.

Notes from the mainland will follow soon. Bear, birds, moose, mountains and many such marvels. The roads just keep going, disappearing into the distance. Till next time.

~ Michael McKinnon (The Botanist/White Pine)

Friday, October 16, 2009

Music At The Click Of A Mouse



They say music calms the savage beast.

Well, we're all about the music so you've come to the right place!

Didja know that Operalive.ca has podcasts and audio clips of our upcoming Norma, Nixon in China, The Marriage of Figaro and Madama Butterfly?

(pssst. Operalive.ca also showcases our much talked about manga series, audience feedback, artwork and photo gallery)

You can also link on here to our podcasts:

Norma

Nixon in China

The Marriage of Figaro

Madama Butterfly

Still in the mood for more? How about some featured audio tracks?


Norma:
Casta Diva

Oh, di qual sei tu vittima

Qual cor tradisti


Nixon in China:
The people are the heroes now

News has a kind of mystery

Ladies and gentlemen, Comrades and friends

Cheers


The Marriage of Figaro:
Non piu andrai

Dove sono

Contessa perdone


Madama Butterfly:
Vogliatemi bene

Un bel di

Muore Butterfly

So when you're having "one of them days" at work or at home, click on any of these links to help tame that raging beast within and turn it into a flower loving Ferdinand the Bull.

~ Ling Chan, Assistant to Managing Director

Thursday, October 15, 2009

A Whole Lotta Love Going Around


photo by Carmen Murphy

It's one thing for us to rave on and on about Edel Rodriguez's visit to our office in our fair city. But it's double the warm and fuzzies feelings when we find out that Edel felt the same way about us!

Check out his view on his first ever trip to Vancouver and his experiences with us on his website, Drawger.

~ Ling Chan, Assistant to Managing Director

Follow Jack Pine Online!

Now you can follow our touring show, Jack Pine online with a cool new gadget called "Where's Jack?". This new interactive google map allows you to track where in the world the tour is on any given day and see links to pictures and comments from the touring artists,other tidbits from the schools, as well as reviews of where to stay and where to eat from our intrepid voyagers.

Check it out today by clicking on our new right sidebar gadget and follow along!

Tuesday, October 13, 2009

New Nixon in China Music Samples


Now you can listen to samples from Nixon in China at Vancouver Opera's multimedia site OperaLive or here on the Nixon In China Opera Blog.

Over on OperaLive, courtesy of Warner Music Canada, you can hear:

* "The people are the heroes now"
* "News has a kind of mystery"
* Ladies and gentlemen, Comrades and friends"
* "Cheers"

And on the Nixon In China Opera blog (if you scroll down on the right sidebar) you can hear via our sidebar Blip.fm feature the following:

* Act 3 (The Chairman Dance)
* Act 2 Scene 2 "I am the wife of Mao Zedong"
* Act 1 Scene 3
* "The people are the heroes now"
* "The Chairman Dances"
* Act 1 Scene 1 "News has a kind of mystery"

This should provide a good cross-section of the music from John Adams' Nixon in China for you to sample and comment on if you like in the comments section below.

- image: "The Chairman of the Party" by Telstar Logistics.

Tuesday Trivia: Season Warmup #3


We are getting close to the start of our Golden Anniversary season and this week's quiz is another warmup True/False quiz about one of our shows.

This week: Nixon in China - True or False?

1. Nixon in China was first performed in 1967.
2. The opera is traditionally sung in Chinese.
3. Pat Nixon visits a pig farm in one of the scenes.
4. Nixon in China is composer John Adams’ first operatic work.
5. The role of Henry Kissinger is a non-singing role in the opera.
6. Composer John Adams’ middle name is Coolidge.
7. Composer John Adams is a Pulitzer Prize winner.
8. Composer John Adams has never won a Grammy Award.
9. The airplane that brought Nixon to China was the Spirit of ’76.
10. Nixon in China has never been performed outside the USA.

Post your tricky answers as comments. The first one with the most right wins!

Saturday, October 10, 2009

The Perfect Road Pie - A Culinary Perspective on Touring

One of the best things about touring to places in BC a second and third time is frequenting roadside diners that had hit the spot the first time. With the combined help of a guide book, well traveled friends and my own years of experience (count’em – 3!) I am able to prepare the cast for culinary & cultural experiences beyond their small town expectations. In fact, I oft manipulate the tour schedule to land a meal break or rest stop at the best pie place along the road even if their burgers are sub-par. Everyone loves dessert, right?

The Happy Eater Restaurant in Alexis Creek is run by a lovely German lady whose 10-year-old daughter gets a private performance from VOIS’ opera singers each year. After an appetizer of Jack Pine’s Finale around a 19th century piano severely out of tune, we feasted on homemade soups, sandwiches and fish. The pie case was on some people’s radar but when our host came over and offered us dessert on the house we each took our turn ogling the homemade choices: sumptuous Cheesecake, decadent Chocolate Layer Cake, soft Coconut Cream and the perfect, lightest Lemon Cream. She ranted on about Western baking having too much sugar and she is right. There is no doubt why the townsfolk of Alexis Creek make it their daily routine to come in for coffee and a slice and why I remembered to stop there a second time.

Our hosts in Prince George have mastered the art of barbequing for 14 people. “This is the best chicken I have ever had. I can die now.” I told Stephen – our host’s husband. They had invited us to their weekly family meal, daughter, sons-in-law and grandchildren included. They sent us away with the vegetable appetizer and leftover cheesecake which we promptly forgot in the fridge of the hotel the next morning. Let’s hope that woman in Housekeeping I spoke to actually took them home.

We arrived on the Queen Charlotte Islands at 6AM. Anticipating our hotel rooms mightn’t be ready, our hosts there, Jenny and Duncan, invited us for breakfast. Endless pancakes filled with local boysenberries were served with summer raspberries, real maple syrup, homemade blackberry jam and crispy bacon. Our coffee connoisseurs, Michael and Adam, savoured their dark rich coffee. Endless cups of tea and fresh orange juice glasses cluttered the table. Their neighbour, Stephanie, stopped in for a shower, and joined us for toast and coffee after her run. Eggs to order were next on the menu and we set off the smoke detectors only twice.

Later that evening, we headed back over to Jenny and Duncan’s for dinner. The invitees list exceeding 15 and we were served roast turkey with all the fixings. This evening’s delectable menu included green salad with homemade raspberry vinaigrette, new potatoes, yellow and green beans, more stuffing than turkey and gravy for days. When we thought to have eaten and drunk enough out came dessert: freshly baked apple pie and blackberry crumble (Jenny’s niece had picked the blackberries that afternoon), either one with ‘snow on the mountain’ (ice cream and whipped cream). Of course, we all had both.

The Queen Charlotte Islands are filled with culinary delights. In Port Clements we devoured the best soup in the world at Patio Zone. Chanterelle soup seemed a popular option that we had both there and in QCC at The Purple Onion. If you didn’t have the soup, it was because you were enjoying the melted Brie, turkey and raspberry sandwich. We finished off lunch there with mint honey lattes and triple espressos.

Back at Spruce Point Lodge B&B our simple breakfasts came delivered to our rooms in hand-made pottery. Tina and I received a different teapot every morning. Fresh, warm breads, croissants or buns shared the tray with boiled eggs, grapefruit, oranges and melon. I enjoyed Nancy’s generous gluten-free breakfasts too while watching the sunrise over Queen Charlotte City.

Though these may be small towns to which we’re touring – they sure know how to eat big! Stay tuned until next time when I expose our talented VOIS singers as incredible cooks.

~ Rebecca Craster, VOIS Stage Manager

Thursday, October 8, 2009

Class Time With Edel Rodriguez

Intrigued. Inspired. Impressed.

This was the collective feeling of the Emily Carr University of Art & Design students on Tuesday when Edel Rodriguez stopped by to give a presentation of his art work.

Associate professor Justin Novak welcomed Edel, VO's graphic designer Annie Mack and myself upon arrival and gave us a tour of the university grounds. We then met the class of 20 in one of the lecture rooms.



Edel had brought his macbook laptop with his portfolio in powerpoint. He began by giving a backgrounder of how he came to be an illustrator. He graduated from Pratt Institute in Brooklyn, worked as an Art Director for Time Magazine and illustrated for the likes of Newsweek, Communication Arts, Spotco and Toronto's Soulpepper Theatre.

It was after his work with the Toronto theatre, that VO had contacted him to to design this season's art work for Norma, Nixon in China, The Marriage of Figaro and Madama Butterfly.

Opening up with Madama Butterfly, Edel spoke about finding inspiration from pictures of Japanese geishas. He then went on to submit a dozen sketches to VO's Director of Marketing, Doug Tuck for feedback. The bleeding moon with Chou-Chou San's face was a hit.



For The Marriage of Figaro, Edel was surprised that the image of 2 men tucked into woman's bosom (and Edel's personal favourite), was also the preferred choice for VO. Edel had thought that we would pick choice #5 as choice #1 may have been too risque. He told the students that this just goes to prove that illustrators should never underestimate the client and should always go for it.



The concept for Nixon in China was a bit more challenging, as Edel had to find a way to blend Nixon and Mao's heads together. First came an ink drawing. The next step was rolling the red paint on, using his light table and then adding the whites.



Although all of the posters Edel designed shared bold colours and strong images, his favourite poster, hands down, is Norma. He worked with the concept of fire for the image and included pyres in his sketches. Doug loved the original burning face of Norma (top centre picture of sketches) but thought that the expression looked a little depressed, so it was tweaked a bit to what you see today.



Once the images were finalized, Annie Mack took them and reworked them to fit our VO snowboards. Edel went on to say that he was thrilled with the results. More than that, he loved the fact that the art was basically left alone; unlike other art directors who may chop up his images for their own needs.

Throughout the 2 1/2 hour session, Edel went on to share his other experiences in the industry, which included winning the bid to design the Illustration Conference poster in New York. He was also commissioned to design the logo of a flaming stratacaster for the Rock & Roll Hall of Fame concert and illustrating the Dream Girl campaign for German Playboy magazine.

Edel even wrote and illustrated a couple of children's books.

Wrapping up the class, Edel gave some words of wisdom to the fledging artists:

* Work in a lot of different parts of the business and spread work around (magazines, books, posters. illustration vs design)
* Switching materials will change the tone of the art work, like his Che Guevara on papyrus paper
* Combine painting and digital work for versatility
* Mix up your styles so that you remain interesting and not outdated
* Learn to work fast (most of Edel's work takes him 10-15 hours to complete)

But the most important is always continue working on your own projects because that can create work in other areas that you may not have been aware of.

I'm not even an Emily Carr student but I was blown away with Edel's presentation. To be taken along the process of conception to creation and experimentation to final approval of an artist's work was nothing short of incredible. It made me so much more appreciative of how our posters came to be. This season's posters, hung up by my desk, have taken on a whole new meaning.

For more pictures, go to our Flickr.

~ Ling Chan, Assistant to Managing Director