Friday, November 28, 2008

Our Favorite Opera Blogger Shows Us Some Love

Now we've been reading Opera Chic for some time; with love and envy for the snarky comments ("Unemployed Belgian Man Finally Finds Job In Spain")and the real honest-to-god insight and truthiness of the writing. That's why she's on the top of our blogroll.

We are also living vicariously through her.

As she says on her "about me" page:

"I'm a young American woman living in Milan, and you're not. I go to La Scala a lot, and you don't."

If you are into opera - and particularly what's going on in Europe, this is the must read of the opera blogs. Think TMZ or Perez for the opera set.

And this weekend she's showing us some love by posting about our opera manga, which is starting to get some attention around the block.

So, what are you waiting for? Go check it out!

Then when you're done, go see our stuff at www.operalive.ca

photo by The Sartorialist

We Are Not Alone


Vancouver Opera is fortunate to work with Roy Husada on our ground-breaking opera manga. We are the only opera company in the world to use his cutting edge artistry to bring opera to a new generation.

And now we've learned we're not totally alone. Another artist it turns out has done some graphic adaptations of operas. Not manga, but this guy's no slouch in the graphic novel world either. It is P. Craig Russell, illustrator of such popular titles as Neil Gaiman's Sandman series and Mike Mignola's Hellboy.

Turns out Russell has been working on some graphic adaptations of such titles as Pelleas and Melisande, Cavallieria Rusticana (sic), Salome,as well as adaptations of I Pagliacci, Parsifal, and Magic Flute.

He's also done a pretty cool series on The Ring. You can look that one up yourself.

So, it's not manga but it's nice to know that we are not alone in the universe of people trying to use graphic art to bring opera to a new audience.

Up next for us: Carmen

Home is there the heart is...


After all, what says home like a giant picture of a homicidal Italian woman...? A fun little link here.

Perfect for the kitchen!

Thursday, November 27, 2008

Barber of Barkerville goes to Tyee


The Tyee school has a great little blog and has new pics posted of our recent visit there with our Vancouver Opera In the Schools show, The Barber Of Barkerville, our take on the Barber of Seville, with a decidely BC flair that marks the 150th Anniversary of the Province this year.

Click here to see pics and art by the students.

Wednesday, November 26, 2008

Vancouver Courier: From Russia with love and much gusto




















"Act One belongs to Tatyana as she pens her love letter, and Rhoslyn Jones constrains her voluptuous, bell-like soprano well in the technically challenging solo scene. She plays the pretty, shy teenager with just enough volume to convey the character's soaring emotions. Jones matures nicely in Act Three, an elegant young matron in sequinned black, with a big voice that promises major roles in the future."

read the rest of the review here.

Tuesday, November 25, 2008

Tuesday Trivia: Da Russians Are Coming!


Time again for Tuesday Trivia, from our Countess of Confusion, Carmen. This week, we look east (or west) to Russia, in honour of our current production Eugene Onegin.

Guess the Russians described by the clues and win the honour of being the first! Or make wild guesses and win the honour of being the funniest! Either is good!

We'll post answers on Thursday. By that time we expect you will have already seen the show or at least have tickets. Be there or be square.

1.He composed The Nose and Lady Macbeth of Mtsensk
2. He composed Servilia (opera in 5 acts)
3.Pianist, composer and conductor b.1829-d.1894, rival of Franz Liszt
4.This St. Petersburg Theatre was built in 1860
5.Considered one of the finest baritones of the 21st century, b.1962
6. Russian-Austrian operatic soprano b. 1971, currently lives in Vienna
7. Arguably the most famous Russian male opera singer of the 20th century b. 1873-d.1938
8. She is a mezzo-soprano, her home company is the Marinsky Theatre, she debuted at Covent Garden with Placido Domingo
9.He composed Boris Godunuv
10. This Moscow Theatre was built in 1825

Post your guesses as comments. We'll post the real answers Thursday. Good luck!

Monday, November 24, 2008

Georgia Straight: "Ravishing" Onegin



"Vancouver Opera’s ravishing new production of Eugene Onegin is the best of both worlds: lush period piece and sharp contemporary vision. Director Pamela Berlin’s take satisfies opera fans’ desire to lose themselves in a historical story, yet shakes off every last speck of dust."

Read Janet Smith's review in The Georgia Straight here.

What do you think? Post comments.

The Globe & Mail: Polegato a fabulous Onegin


"Vocally, baritone Brett Polegato was a fabulous Onegin, incapable of a musical false step. Everything we need to know about Onegin was there to be heard: the elegance, the anger, the seductive power and callousness."
Read the Globe & Mail review here.

What do you think? Post comments.

Sunday, November 23, 2008

The Sun: Onegin "heartbreakingly beautiful"

The gorgeous orchestral music is given just that Tchaikovsky swoon by Jonathan Darlington conducting the VO Orchestra while the direction by Pamela Berlin feels exactly right. The chorus is superb.

And the singing is just about all we'd expect, especially of an opening production.
~ click
here for Lloyd Dykk's review in the Vancouver Sun.

[Brett Polegato as Onegin. Photo: Tim Matheson]





What do you think? Post comments.

Opening night early reviews


An early review of opening night from Miss 604. Thanks for the blurb and glad you liked the show!

What do you think? Post comments.

Kids go to the opera

Thanks to Chris Loh for posting a blurb about kids attending our dress rehearsal for Eugene Onegin.

The Jean M. Southam Dress Rehearsals are sponsored by TD Canada Trust, and provide tickets to children throughout the lower mainland so they can experience live professional opera and get a sneak peak into the artistic process.

For information on how your children or classroom can attend contact Michael Grice, Education Director, at 604-682-2871.

Saturday, November 22, 2008

Eugene Onegin Opening Night


Shots of some of the beautiful people that joined us for opening night of Eugene Onegin. thank you all for coming!

Got photos? Post 'em or email them to lchan@vancouveropera.ca

Looking Toward The Future

Welcome to Vancouver Opera’s 49th season. Our new production of Eugene Onegin makes its appearance during a period of unprecedented creative activity. Recently, we held the first music workshop for our full-length commissioned opera Lillian Alling, by John Estacio and John Murrell. It was exciting to sit in the rehearsal hall and hear the first thirty minutes of music come to life through the vocal instruments of a group of talented Vancouver singers. With John Estacio’s score and John Murrell’s libretto combining to work their magic, we saw “Lillian” standing before us,in a farmer’s field in North Dakota, singing of the breadth and beauty of the land she was crossing on the trek that would take her from New York to northern B.C., and into legend.

Also this fall, another of VO’s commissioned works is nearing completion: Jack Pine, an environmentally themed opera for young audiences and their families by Vancouver composer and performer Veda Hille, based on a story poem by Canadian author Christopher Patton. Jack Pine will begin its tour of B.C. schools and community venues in February. By the end of 2009 it will have been seen and heard by about 50,000 people. That’s as many audience members as attend mainstage performances each season. This week, the finishing touches are being applied by Veda, director Amiel Gladstone, and the young singers who will take the production on the road.

Next year during our 50th Anniversary 2009 - 2010 season, the eyes of the world will be on us when we present the Canadian première of John Adams’ brilliant Nixon in China in an exciting new production that will be part of the Cultural Olympiad. The following fall, in October 2010, as the culmination of our anniversary celebrations we will present the world première of Lillian Alling. And in 2011-2012 we will produce the Canadian première of John Corigliano’s marvelous Ghosts of Versailles.

This level of creative activity is especially bracing right now, coming as it does at a time when economic forces are causing many of us to feel at least a little insecure. But artistic creation is by nature optimistic: it affirms a belief in the future of humankind. It is also by nature confident in its own value to that future. In times of social challenge or economic unease, or worse, that optimism and self-confidence are, we believe, just what we need.

The board and the artistic and administrative leadership of Vancouver Opera operate from the conviction – borne of many decades, collectively, of experience in the arts and in business – that the impulse to create and the desire to be part of the creative experience are in our collective and individual souls. The arts are thus essential nutrients for life. Vancouver Opera plays an important part in enriching the lives of families and individuals throughout the province and in engaging our community in thinking about our lives. So, with optimism and confidence, Vancouver Opera continues to create and looks forward to a busy and exhilarating future.

We will be taking careful, responsible steps on our journey: with eight operating surpluses in the past nine seasons, VO has proven itself to be a responsible steward of the generous support it receives from the community and from all levels of government. As we implement our exciting plans for our anniversary season and the seasons that follow, we will continue to apply our successful formula of fiscal prudence and calculated artistic risk. We look forward to sharing our creative future with you.

~ Alex R. Besharat, Chair, Board of Directors
~ James W. Wright, General Director

Jack Pine Tour Dates 2009

2009 Jack Pine Tour Dates

15-Feb Centennial Theatre (World Premiere) North Vancouver
16-Feb Sir Alexander Mackenzie Vancouver
17-Feb Ecole Jules Quesnel Vancouver
17-Feb Emily Carr Elem Vancouver
18-Feb Immaculate Conception School Delta
19-Feb Bramblewood Elementary Coquitlam
19-Feb Richmond Christian School Richmond
20-Feb Irwin Park Elementary West Vancouver
23-Feb Don Christian School Surrey
24-Feb Dr. Annie B. Jamieson Elem Vancouver
24-Feb John Henderson Elem Vancouver
25-Feb Carnarvon Community Elem Vancouver
26-Feb St. Anthony's School Vancouver
26-Feb Garden City Elem Richmond
27-Feb St. Edmund's School North Vancouver
27-Feb Collingwood Junior West Vancouver
2-Mar Quarterway Elem Nanaimo
3-Mar Cilaire Elem Nanaimo
4-Mar Ucluelet Secondary Ucluelet
4-Mar Ucluelet Historical Soc. Ucluelet
6-Mar Valley View Elem Courtenay
9-Mar Happy Valley Elementary Victoria
10-Mar Ladysmith Primary Ladysmith
11-Mar Artspring Saltspring Island
12-Mar Artspring Saltspring Island
13-Mar Halfmoon Bay Elementary Halfmoon Bay
Mar 16 - 22 Spring Break
25-Mar St. Bernadette Surrey
26-Mar St. Patrick's Vancouver
26-Mar St. Augustine's School Vancouver
27-Mar St. James/St. Ann Abbotsford
28-Mar Michael J. Fox Theatre Burnaby
30-Mar Ellendale Elementary Surrey
31-Mar Boundary Park Elementary Surrey
31-Mar Refrew Elementary Vancouver
2-Apr Viva Musica Kelowna
2-Apr Viva Musica Kelowna
3-Apr West Vancouver Library West Vancouver
6-Apr Mediated Learning Academy Burnaby/Coquitlam
6-Apr Coquitlam River Elem Port Coquitlam
7-Apr JW Sexsmith School Vancouver
7-Apr Maple Grove Elementary Vancouver
8-Apr Assumption School Port Coquitlam
8-Apr Choice School Richmond
9-Apr Fromme Elementary School Noth Vancouver
14-Apr Hyland Creek Surrey
15-Apr Panorama Heights Coquitlam
21-Apr NAC (School performance) Ottawa
21-Apr NAC (School performance) Ottawa
22-Apr NAC (School performance) Ottawa
22-Apr NAC (School performance) Ottawa
23-Apr NAC (School performance) Ottawa
23-Apr NAC (School performance) Ottawa
24-Apr NAC (School performance) Ottawa
24-Apr NAC (School performance) Ottawa
26-Apr NAC - 4th stage Ottawa

Jack Pine Tour Dates Announced



Jack Pine, VO's newest "Vancouver Opera In the Schools" (VOIS) show has announced its tour dates for 2008. For more details, visit our Jack Pine blog by clicking the links on this page. Also announced are a week of performances at the National Arts Center in Ottowa!

Here are the dates:

15-Feb Centennial Theatre (World Premiere) North Vancouver
16-Feb Sir Alexander Mackenzie Vancouver
17-Feb Ecole Jules Quesnel Vancouver
17-Feb Emily Carr Elem Vancouver
18-Feb Immaculate Conception School Delta
19-Feb Bramblewood Elementary Coquitlam
19-Feb Richmond Christian School Richmond
20-Feb Irwin Park Elementary West Vancouver
23-Feb Don Christian School Surrey
24-Feb Dr. Annie B. Jamieson Elem Vancouver
24-Feb John Henderson Elem Vancouver
25-Feb Carnarvon Community Elem Vancouver
26-Feb St. Anthony's School Vancouver
26-Feb Garden City Elem Richmond
27-Feb St. Edmund's School North Vancouver
27-Feb Collingwood Junior West Vancouver
2-Mar Quarterway Elem Nanaimo
3-Mar Cilaire Elem Nanaimo
4-Mar Ucluelet Secondary Ucluelet
4-Mar Ucluelet Historical Soc. Ucluelet
6-Mar Valley View Elem Courtenay
9-Mar Happy Valley Elementary Victoria
10-Mar Ladysmith Primary Ladysmith
11-Mar Artspring Saltspring Island
12-Mar Artspring Saltspring Island
13-Mar Halfmoon Bay Elementary Halfmoon Bay
Mar 16 - 22 Spring Break
25-Mar St. Bernadette Surrey
26-Mar St. Patrick's Vancouver
26-Mar St. Augustine's School Vancouver
27-Mar St. James/St. Ann Abbotsford
28-Mar Michael J. Fox Theatre Burnaby
30-Mar Ellendale Elementary Surrey
31-Mar Boundary Park Elementary Surrey
31-Mar Refrew Elementary Vancouver
2-Apr Viva Musica Kelowna
2-Apr Viva Musica Kelowna
3-Apr West Vancouver Library West Vancouver
6-Apr Mediated Learning Academy Burnaby/Coquitlam
6-Apr Coquitlam River Elem Port Coquitlam
7-Apr JW Sexsmith School Vancouver
7-Apr Maple Grove Elementary Vancouver
8-Apr Assumption School Port Coquitlam
8-Apr Choice School Richmond
9-Apr Fromme Elementary School Noth Vancouver
14-Apr Hyland Creek Surrey
15-Apr Panorama Heights Coquitlam
21-Apr NAC (School performance) Ottawa
21-Apr NAC (School performance) Ottawa
22-Apr NAC (School performance) Ottawa
22-Apr NAC (School performance) Ottawa
23-Apr NAC (School performance) Ottawa
23-Apr NAC (School performance) Ottawa
24-Apr NAC (School performance) Ottawa
24-Apr NAC (School performance) Ottawa
26-Apr NAC - 4th stage Ottawa

Friday, November 21, 2008

Manga Manga Manga


So you may or may not know we have the world's only opera manga, created by Roy Husada and various collaborators. Thanks go out today to Brigid over at Mangablog for a shout-out on our creation.

Same goes for Uncle Paulie in NYC for his pick up on our Eugene Onegin Manga.

We're working with Roy to pull together a complete set of his manga, going back about five years. In the meantime, you can see them at www.operalive.ca

Overture Auction

1. HOOKED! Value: $8,500
DON’T LET THIS ONE GET AWAY!
Moored at the northern tip of remote Langara Island in Haida Gwaii, the 135-foot luxury yacht MV Charlotte Princess is a trophy fishers' dream -- fishing truly second to none! The MV Charlotte Princess is a self-guided Langara Island fishing resort where you and your guest will fish two per boat from 17' custom-made Fat Cats, equipped with 50 hp Yamaha motors, 10 ½' Kufa and Shimano 2000 GT Single Action or Penn 320 LDs Double Action reels.


This 4 day/3 night Langara Island Fishing Trip for Two (2), courtesy of Oak Bay Marine Group, includes roundtrip airfare from Vancouver’s South Terminal to Langara Island; well-appointed MV Charlotte Princess shipboard resort accommodation; all meals and wine with dinner; expert master guides; unlimited use of boats, tackle, bait, cruisers suits; and the cleaning and packaging of your catch. OBMG expert fish masters are, of course, always on the water ensuring that you have enough bait, fishing gear, and know-how to bring in your dream salmon, halibut or bottom fish.

Note: Valid June 4 – September 2 • 2009


2. SEX IN THE CITY Value: $18,000

NO PLANS FOR THE WEEKEND? This delectable scenario for two lovebirds invites you to play in your own city—Vancouver! Check in for two (2) nights at John Evans' hot, as in, Mr. Big hot, Opus Hotel, just in time to change attitude, shower and get out on the town for an intimate evening at newly-inspired DB Bistro Moderne on Broadway.

Next day, simply muster the strength to sit up, and Opus will do the rest! Breakfast for two in bed, Opus style and then -- take the measure of the man, as he goes to Pacific Centre to be fitted for his Harry Rosen made-to-measure tuxedo!

Stroll down Hornby Street to Palladio to collect his handsome Baume & Mercier “Hampton Chronograph XL” Watch.

But let's not forget our fairer sex! Classic elegance and undeniable cachet all wrapped up in one – a divine Bisang Chinchilla Wrap, courtesy of Holt Renfrew Furs;
a stunning, silver-tone Chanel Flap bag, and a $500 gift certificate for something special from Boboli’s Italian Collection.

All dressed up and no where to go? Chef Ernst Dorfler and Gerry Sayers will take your breath away with award winning West Coast cuisine and romantic views of Vancouver in their haute new Five Sails Restaurant.

Back to the hotel, the scene is set ...and the last act is up to you! ENJOY!


3. MONTREAL CHIC ET CLASSIQUE! Value: Romance!

Spend a classic romantic weekend in the timeless heritage of Old Montreal! You'll arrive on time wearing watches from the Birks Signature Collection. Limoplus will whisk you from the airport for two (2) nights with breakfast at the new et tres chic Opus Hotel, voted one of the world's "Hot New Hotels" by Conde Nast Traveller. You'll dine at Le Latini for the best Italian in town and enjoy a musical moment at L'Opera de Montreal; enjoy Montreal's fashionable Avenue de la Montagne before you dine at Opus’ newest fusion Koko Restaurant & Bar.

During your stay, BIRKS, known since 1879 for Canadian quality, service and innovative design, will take you behind-the-scenes to its Design Atelier, where master designers have been handcrafting Birks' exquisite diamond & gemstone jewelry for generations of Canadians.

For him - the BIRKS SIGNATURE COLLECTION Chronograph Watch featuring 18kt gold and 316L stainless steel case, black alligator bracelet, a champagne dial, Swiss ETA quartz movement, virtually scratchproof domed anti-glare sapphire crystal.
For her - the BIRKS SIGNATURE COLLECTION Chronograph Watch featuring a mother of pearl dial under sapphire crystal, silver grey strap, 12 diamonds on the sub dials, a case crown set with 58 diamonds, color, grade H and clarity SI, with a total carat weight of .895.
Note: Opus Hotel valid until November 30, 2009; Birks Atelier tour, weekdays only


4. MADE IN ITALY! Value: Priceless

Cradle of the Renaissance, Florence is possibly the greatest repository of art in the world, extraordinary paintings and sculpture, frescoes and architectural masterpieces. Come in search of art, visit the legendary designer shops, explore the extraordinary countryside!

Two will fly business-class Florence-Vancouver return Lufthansa Airlines, and begin their stay with two (2) fantastico nights at the 5-star Rocco Forte Hotel Savoy. Located on the historic Piazza della Repubblica, the hotel is only a short walk from the Uffizi Gallery, the Duomo, Teatro Verdi, and the main fashion houses. At day’s end, you’ll settle in at Cantinetta Antinori for traditional Tuscan fare and Antinori wine as the sun sets over the Ponte Vecchio and the River Arno. Gelato perhaps?

Day two or maybe three – so much to see! For her, a Roberto Cavalli Cocktail Dress and Salvatore Ferragamo Kidskin Bag – already in hand! For him – a trip to Ermenegildo Zegna, where he’ll select from the best of Italian fabrics, and meet the tailor who will custom-build his suit with sartorial elegance -- “Su Misura”.

From Firenze to Fizzano! Benvenuto in Chianti Classico for three (3) nights at the prestigious Riserva di Fizzano & Rocca delle Macìe Vineyards. Wander the sun-drenched rolling Tuscan hills, visit the cellars and capture the distinct magic of the terroir in its various cuvees. In vino veritas! OH, LA DOLCE VITA!!

Note: Hotel Savoy blackout May, June, July, September. Riserva de Fizzano valid April & October 2009.


5. LOUIS VUITTON MEETS THE CZAR! Value: Priceless

Follow Louis Vuitton through Paris after arriving business class, courtesy of Lufthansa. You will stay three (3) nights in extravagant luxury at the incomparable Four Seasons George V. Carrying your new Louis Vuitton Keepall, you'll take time to explore the Vuitton family home in Asnières-Sur-Seine, visit the Museum & Atelier where he crafted his first trunks, and savor lunch in the LV private dining room.


Back in Paris, you'll take a personal tour of their legendary store on the Champs-Elysees, including its exclusive art exhibit before heading over to the White Russian quarter of Paris. There you will dine on Romonov caviar and champagne with Jonathan Darlington, VO's Music Director and Doris Bradstreet Daughney, past VO board chair, at her Paris home. Then it’s off to Opéra National for an evening of enchantment before you pack your Louis Vuitton Pegase suitcase and head off into the romance of the czars.


Arriving in St Petersburg, Russia, you'll stay two-nights at the 5-star Rocco Forte Hotel Astoria in St. Isaac’s Square, brunch at Davidov, tour Catherine the Great's city and dine at Noble's Nest in the Yusopov Palace, before taking the best seats in the house at the beautiful Mariinsky Opera. As Lufthansa whisks you home, you'll be reminded by LV's spokesperson Mikhail Gorbachev: "A journey bring us face to face with ourselves!"

Note: Tickets are valid for transportation on Lufthansa operated flights and must be used in 2009. Reservations can be made within 90 days but not less than 3 weeks before planned date of departure. Hotel Astoria blackout May 1 – July 31, 2009.

Overture Raffle

RAFFLE
3 TICKETS for $150
1 in 20 chance of winning a prize

GRAND PRIZE
HARBOURSIDE TO WILD SIDE!
VALUE $3,000

Walk the inner harbor, inhale the rejuvenating spirit of the old growth forests; discover a deserted beach, watch soaring bald eagles and maybe even storm watch – with a week away - courtesy of Boutique Hotels & Resorts of British Columbia and Don Docksteader Volvo! Package includes a VOLVO XC90 SUV for a week; two nights at the elegant Oswego Hotel in Victoria's picturesque Inner Harbor; a musical moment at Pacific Opera Victoria; and three nights at the Black Rock Oceanfront Resort in Ucluelet and Pacific Rim National Park.


SECOND PRIZE
A SHOE FOR ALL SEASONS
VALUE $1,500

During the months of: February, April, June, August, October & December 2009 you will RECEIVE a new pair of shoes (value up to $250 each), courtesy of Wear Else. With fabulous brands like Stuart Weitzman, Donald, Pilner, Cole Haan, Juicy, Frye and Modern Vintage we know that a girl can’t ever go wrong with a beautiful pair of shoes- in ever color for every season. You will be asked to book an appointment with a WE Senior Stylist and each month we will call you with the latest new fantastic arrivals. During the months of: February, April, June, August, October and December 2009 you will RECEIVE a new pair of shoes (value up to $250 each)


THIRD PRIZE
TICK TOCK
VALUE $1,000

It is yours to keep (time with), courtesy of Time & Gold. A Raymond Weil Geneve - ladies' watch from the Tango collection features a Swiss quartz movement, sapphire crystal, guilloche dial and stainless steel construction.



OTHER PRIZES INCLUDE: Jaime Kowal "Luz del Dia, Havana Cuba"Photograph*Swarovski Vase in Topaz*2-nights L'hotel le Crystale de la Montagne Montreal *Marc Rozier Silk Twill Square*Marc Rozier Shawl*Gold leather "C de Cartier" HP Logo Card Holder & Key Holder Set*Mission Hill Family Estate Gold Medal Reserve Riesling 2006 Icewines*Barbara Jo's Books for Cooks “Urban Italian Meets Urban Vancouver”*VOYA Restaurant Dinner for Two*Vancouver Canucks hockey tickets* Da-Gino Ristorante Marcello Pizzeria & Ristorante* Belvedere Vodka Gift Pack *Federico’s Supper Club*Italian Kitchen*Coast Restaurant*Vancouver Lookout Family Passes*


Maximum 500 tickets @ 3 for $150 • 1 in 20 chance of winning a prize • Winners consent to the release of their names by the licensee • Ticket buyers must be present to win • Winner must accept the prize as awarded.

Thursday, November 20, 2008

Twenty Questions with Chad Louwerse

Chad Louwerse had a short commute over from his recent engagement at POV, where he was singing Palemon in Thais. After this, he's back with us again for Rigoletto, so we all get to enjoy his most marked characteristic a lot this season. In between rehearsals for his role as Zaretsky (and Capt. Petrovich), Chad took a few minutes to answer our 20 Questions.



1. Guilty musical pleasure?
The Arrogant Worms

2. Where do you love to sing?
In stairwells

3. What is your idea of earthly happiness?
To be at peace with ones self, circumstances, and family.

4. To what faults do you feel most indulgent?
Staying up too late

5. Who are your favourite heroes/heroines of fiction?
Belgarath (David Eddings), Allanon (Terry Brooks)

6. Who are your favourite characters in history?
St. Nicholas - Santa rocks!

7. Who are your favourite heroes/heroines in real life?
Jerome Hines, Queen Elizabeth II

8. Who is your favourite author?
Robert Louis Stevenson, David Eddings, Terry Brooks

9. Your favourite musician?
One is Dame Janet Baker

10. Your favourite composer?
Bach

11. What quality do you most admire in a person?
Being generous in giving who they are.

12. Your favourite virtue?
Love

13. Your favourite occupation?
Singing

14. What did you want to be as a child?
Pilot/Astronaut

15. Your most marked characteristic?
My laugh

16. What do you most value in your friends?
The ability to pick up where we left off and the safety to be ourselves.

17. For what would you like to be remembered?
Being a good dad, husband, and friend.

18. What natural gift would you most like to possess?
To take some things less seriously.

19. What is your motto?
What?! Me have a motto?!

20. What non-opera song do you rock?
The Birth of the Blues

The Straight:

Here's more good press on Onegin - this time on our lovely Rhoslyn Jones...

Eugene Onegin’s Rhoslyn Jones didn’t take a direct route into opera; now she’s starring on her hometown stage

Rhoslyn Jones can barely recall the first opera production she ever saw. It was a high-school-band field trip to Vancouver Opera’s Don Giovanni in 1994, and “the only thing I remember about it was talking to my friend the whole time about this boy that she liked,” she admits. ~ Jessica Werb


Click here to read more

The Sun:

The Vancouver Sun has a great spread on Eugene Onegin today:

The first time I saw a live production of Tchaikovsky's Eugene Onegin (Yevgeni Onegin) was in Seattle a long time ago. It was a touring production from an Iron Curtain country.

Though many of the singers had that Slavic wobble it still remains memorable, I suppose because it was the first live experience of an opera I'd loved for years, and still do, perhaps more than ever. ~ Lloyd Dykk


Click here to read more

Wednesday, November 19, 2008

The Province:

Onegin's back rich and rare
Vancouver Opera's version is as dramatic as it gets

Stuart Derdeyn, The Province
Published: Wednesday, November 19, 2008

The last time Vancouver Opera staged the work was 23 years ago. To say the company is excited to bring this story of a 19th-century Russian dandy from St. Petersburg whose cold rejection of a shy, country woman named Tatyana starts a chain of events that permanently scar all involved is understatement. Sitting down with Canadian baritone Brett Polegato (Onegin) -- last heard here in 2006's mounting of Don Giovanni -- and Vancouver Opera musical director Jonathan Darlington to discuss the production, you could sense the company's passion for the show.

Click here for story

Twenty Questions with Allyson McHardy

Allyson makes her Vancouver Opera debut in the role of Olga in Eugene Onegin, opening November 22nd. Allyson has an extensive North American and European career, having recently sung Isabella in L'Italiana in Algeri with Opera de Lille, and is soon off to Minnesota Opera to sing Rosina in Barber of Seville. Noted for both her grace and humor on stage, we are thrilled to have her debut with us this season.

1. Guilty musical pleasure?
AC/DC

2. Where do you love to sing?
Anywhere opera lovers are.

3. What is your idea of earthly happiness?
My husband and daughter & a good piece of grilled salmon.

4. To what faults do you feel most indulgent?
Potato chips

5. Who are your favourite heroes/heroines of fiction?
Jane Eyre

6. Who are your favourite characters in history?
There was an episode of Friends on yesterday that was good...

7. Who are your favourite heroes/heroines in real life?
Over the past 5 months without a doubt my husband Graham and my friends Gwyneth & Colin, Marcia & Michel,and Mare & Scott. Thank you.

8. Who is your favourite author?
Hardy

9. Your favourite musician?
I'd have to refine it to musican/poet/songsmith Leonard Cohen.

10. Your favourite composer?
Handel

11. What quality do you most admire in a person?
Honesty

12. Your favourite virtue?
The ability to remain positive.

13. Your favourite occupation?
Opera singer

14. What did you want to be as a child?
Waitress

15. Your most marked characteristic?
People say it's my sense of humor, funny, eh?

16. What do you most value in your friends?
The fact that they don't minde if it takes me a bit to get back to them sometimes

17. For what would you like to be remembered?
The best lasagne

18. What natural gift would you most like to possess?
To be an amazing sight reader

19. What is your motto?
Fortune favours the bold

20. What non-opera song do you rock?
My karaoke career is something I don't talk about.

Lillian Alling: John Murrell on the Workshop Process


Lillian Alling – the mysterious historical figure who is the title character of our new opera – told reporters with whom she spoke in the 1920s, in the B.C. interior – that she had traveled across the width of North America, and that she had done it on her own, with neither assistance nor interference from anybody else.

In many ways, creating a new opera requires this same sense of absolute, obsessive privacy. Each individual or entity involved in the enterprise – the producer, the composer, the director, the librettist, etc. – must believe that he or she is following an idiosyncratic personal vision with relentless focus – refusing to allow anyone or anything else to interfere or assist.

As librettist of this expansive new work, I have frequently said to myself that my work must precede and pre-empt all other points of view – that my imaginative ear and eye must create Lillian Alling’s world from scratch, that I must single-handedly pull her world out of the void, and that no one else can help in this gigantic task.

Of course, this is patently ridiculous. In reality, I am only one particular part of the process, only one cog in a set of complicated, interlocking wheels. And I am surrounded by colleagues who are every bit as obsessively committed to the work as I am.

John Estacio is, quite simply, one of the best of today’s generation of composers, whether one considers him alongside his Canadian contemporaries, or his contemporaries in the whole world. Kelly Robinson is a director/dramaturgical advisor whose experience in lyric theatre far exceeds that of most others in the field, equal to the very best and busiest.

Then there is Jim Wright and his team of associates at the Vancouver Opera, who have ably aided and abetted us from the start of Lillian’s exhilarating journey – and without whom none of us would ever have taken the first step. How exceptional it is, in these days of cultural and financial instability that an organization would have the foresight and the courage to launch brave new operas. It is, as they say, a big job, but somebody has to do it – otherwise, opera will live only in the past. Of course, opera’s past is a fine and seductive thing – but, without a future, it is still a well-kept and fascinating museum, rather than the living, changing, surprising, challenging creature that we currently seek to pursue and embrace, both individually and collectively.

In spite of these wonderful collaborators, though – which will ultimately, in October 2010, include our first audiences – I continue to be personally and privately obsessed by Lillian Alling’s story – her bravery, her terrors, her exoticism and her universality. I continue to evoke her poetry and passion out of myself. I take her to bed with me at night, and I wake up with her in the morning – and, for hours and hours on end, I feel she belongs to no one but me – that nobody can understand her as I do.

Then, how much I learn, and how quickly I realize the limitations of my words, when I go to work again with John E., Kelly, Jim, Tom, Kinza, Jennifer – and all the splendid actors and singers who show us new facets of Lillian and her friends and foes – during the 3 intensive developmental workshops we have had so far – and who will continue to illuminate and instruct us as we move toward completion of this compelling new dramma per musica.

I am so fortunate to have Lillian and the other characters in our opera as intimate friends, and Lillian and I are so fortunate to have Kelly, John, Jim, and the Vancouver Opera, to inspire and encourage us. Together we will find the right way to tell this story, which belongs to each one of us privately, and to all of us universally.

John Murrell,librettist
November 2008

Lillian Alling: John Murrell on Workshop #3


In September 2008, Vancouver Opera hosted the 3rd intensive workshop for Lillian Alling. Probably by now most of you have read the fascinating but sparse historical facts about Lillian’s journey across the breadth of North America, which set our creative imaginations to work.

The first 2 workshops focused on the story, the dramatic structure, and the words for Lillian Alling – that’s my department, as the librettist. With the assistance of several gifted Vancouver actors, Kelly Robinson (our director), John Estacio (our composer), and I endeavoured to shape the incidents, both real and imagined, of Lillian’s saga, and to find the true “folk poetry” of her adventures and her dreams. We remain very excited about what we’ve already discovered – and enormously grateful to the Vancouver opera for commissioning this work, giving us a chance to live in and explore Lillian’s world.

But the 3rd workshop was the most thrilling for me – because we had a chance to hear nearly 40 minutes’ worth of Estacio’s passionately eloquent musical score – eloquent and varied: everything from “pop songs” of the 1920s (the period of our story) to a nobly arching aria for our title character, from a Norwegian barn dance on the prairies to a quartet played on telegraph keys, as well as sung, by young linesman on the Telegraph Trail in northern British Columbia. John has a wondrous ability to blend contrasting musical styles into a unified musical feast, and this opera is clearly evoking his most intricate and heartfelt music.

And, because the music is beginning to be there, so beautifully, Kelly was able to help the five superb singers we had for Workshop 3 to investigate the diverse levels and colours of meaning and human experience which the different characters of the opera share with us – through my words and, especially, through John E.’s complex yet immediately accessible music.

What an adventure we are having. So much lies ahead, yet to be discovered, lived and struggled with, shaped, refined, and ultimately revealed to our first audiences in October 2010. Already, though, there are rich veins of emotion and history, of both the individual and the universal, to be mined from Lillian’s history. I trust and believe that we will reveal her great heart – and, thereby, reveal our own – and those of our audiences.



John Murrell, librettist
November 2008

MLA Watch: Education Programs In Action

Vancouver Opera is always happy to have visitors from the various levels of government come to visit us when we're in the schools. Here's a new feature we're calling "MLA Watch" where we'll list who's come to visit. Thanks to all you have come to see our Education Programs in Action.


Guy Gentner

Harry Bains

Chuck Puchmayr

Dave Hayer

Sue Hammell


Michael Sather

Bruce Ralston

Ralph Sultan


Harry Bloy

Raj Chouhan


Who's your MLA? To find out, click here.

Want your MLA to come see VOA in action? Want to come along as a constituent?
Call Michael Grice, Dir. of Education at: 604-682-2871


Disclaimer: We're not endorsing anybody here, just saying thanks for visiting. Want to know more about them? Click on their names.

20 Questions with Rebecca Craster

Rebecca Craster, Stage Manager
As stage manager, Rebecca is responsible for making sure that all goes well on stage (or school gym floor as the case may be), and that we don't lose anybody in the wilds of British Columbia as we wend our way across the provice to take Jack Pine to the thousands of kids that will see it this year. Rebecca seems a fairly stable individual, one to whom we've entrusted the keys to the van, a credit card and the safety of the rest of the team. If anyone out there knows any reason this might not be a good idea, please give us a call. Otherwise, enjoy this little questionnaire...

1. Guilty musical pleasure?
Justin Timberlake

2. Where do you love to sing?
Anywhere with my sister

3. What is your idea of earthly happiness?
Love, laughter & ice cream

4. To what faults do you feel most indulgent?
Sarcasm

5. Who are your favourite heroes/heroines of fiction?
Harriet the Spy

6. Who are your favourite characters in history?
Elinor Dashwood of Sense & Sensibility

7. Who are your favourite heroes/heroines in real life?
Nurses

8. Who is your favourite author?
Michael Marshall Smith

9. Your favourite musician?
Andrea Lahmer

10. Your favourite composer?
Puccini

11. What quality do you most admire in a person?
An open mind / flexibility

12. Your favourite virtue?
My Confidence and all the tricks it plays on me.

13. Your favourite occupation?
Am I supposed to say: Stage managing for VOA ?

14. What did you want to be as a child?
An actress

15. Your most marked characteristic?
My height

16. What do you most value in your friends?
Mutuality

17. For what would you like to be remembered?
For having a fun family

18. What natural gift would you most like to possess?
The ability to learn a million languages easily

19. What is your motto?
Life is What You Make It.

20. What non-opera song do you rock?
Doctor Knickerbocker

Tuesday, November 18, 2008

Podcasts from Pushkin






VO’s first podcast!




Visit the operalive section of the VO website to listen to or download VO’s first-ever podcast. General Director James Wright narrates, and you can hear two beautiful excerpts from Eugene Onegin: Tatyana’s “Letter Song” and Lensky’s plaintive aria “Kuda, Kuda.”

go now: www.operalive.ca

click on "listen"

Show opens Saturday......

Tuesday Trivia: When Pushkin Comes to Shove

When Pushkin comes to shove – a quiz all about Eugene Onegin

1. What is Lensky’s occupation?
2. Which of the sisters is the extrovert?
3. Which sister is reading a romance novel in Act I?
4. What is the occasion of the party in Act II?
5. Who is shot to death in the duel?
6. Who does Tatyana marry?
7. How does Tatyana originally profess her feelings to Onegin?
8. What is Onegin’s reason for coming to the countryside?
9. How many years lapsed between Pushkin’s completion of the novel and the first performance of Tchaikovsky’s opera?
10. How long did it take Tchaikovsky to compose the opera?

Post your quesses, snarky answers or outright lies as comments. We'll post the real answers on Thursday. First one to get all 10 right wins!

Monday, November 17, 2008

VO's JW on TV in the AM

Wednesday, November 12, 2008

VO extends appointment of esteemed Music Director Jonathan Darlington


I'm pleased to announce that Music Director Jonathan Darlington’s appointment has been extended by two years to the 2011-2012 season. Jonathan has been VO’s music director since May, 2005. He was first appointed to the VO music staff as Principal Conductor in 2002.

Jonathan’s work on the podium and his musical leadership of the Vancouver Opera Orchestra have been widely and consistently praised: Lloyd Dykk, reviewing VO’s November 2007 production of Cavalleria Rusticana and I Pagliacci in the Vancouver Sun, wrote, “…Darlington’s work once again suggested that he may be one of the best things that’s [sic] happened to Vancouver Opera; John Stape, writing about the same production for Review Vancouver.com, said, “The Vancouver Opera Orchestra always plays well these days, but when Jonathan Darlington conducts, sheer magic happens in the pit….”

I am so happy that we have agreed that Jonathan will continue as our music director until 2012. The continuity that this provides our company is invaluable; it guarantees ever-increasing artistic excellence in the years ahead.

On a personal note, my partnership with Jonathan Darlington for the past six years has been one of the most satisfying and rewarding of my thirty years in opera, and is a highlight of my professional career.

Jonathan Darlington is highly regarded and much in demand around the world for his vast operatic and symphonic repertoires. Born in England but now a resident of France, Maestro Darlington is Music Director of the Duisburg (Germany) Philharmonic Orchestra, which was founded in 1877. With that orchestra, recent appearances have taken him to Amsterdam, the Montreux Festival and China. Recent European engagements include the world première of La Grande Magia, a new opera by Manfred Trojahn, with Dresden Staatskapelle. In past seasons, he conducted at English National Opera, Bordeaux Opera and Deutsche Oper am Rhein and made his début with the BBC Symphony Orchestra. Jonathan Darlington’s upcoming conducting engagements include a Stravinsky triple bill, directed by Robert Lepage, with Canadian Opera Company and Fidelio at Sydney Opera House. Mr. Darlington recently received the prestigious award of Fellow of the Royal Academy of Music.

This season at VO, Jonathan conducts Tchaikovsky’s Eugene Onegin (November 22-29, 2008) and Richard Strauss’s Salome (May 2-9, 2009).

~ Jim Wright

Tuesday Trivia: Where in the World Is Porgy?

Where do these operas take place? Match the opera to the location. Post your guesses as comments. We'll post the real answers on Thursday.

1. Porgy & Bess
2. Otello
3. Tosca
4. La Traviata
5. Gianni Schicchi
6. Carmen
7. Cosi fan tutte
8. West Side Story
9. Falstaff
10. Elektra

a. Rome
b. Florence
c. Naples
d. Windsor
e. Cyprus
f. New York
g. Charleston, South Carolina
h. Mycenae
i. Seville
j. Paris

Monday, November 10, 2008

Return to Berlin

It’s so good to have Pamela Berlin back in Vancouver, staging our new production of Eugene Onegin. Pam is a particular favourite of mine, having first met her when she staged our 1999 Rigoletto with Mark Rucker. She returned in 2002 to stage her production of Of Mice and Men, which I still believe is one of the most affecting stagings of a contemporary work I’ve ever seen.

We haven’t been able to get her and VO’s schedules to match-up ever since – until now. I chose Pam for this opera for several reasons, including her strong identification with text (she is first and foremost a straight theatre director), her understanding of character and plot, and her “personal, “ individual work with singer/actors. Pam is a fixture in New York theatre circles and brings an honesty and freshness to her work that really refreshes the operatic repertoire she touches.

She has worked closely with set designer Neil Patel (with home she has worked in New York) to bring us a beautiful and thoughtful physical production, which emphasizes Tatyana’s journey from country innocent to big city sophisticate. She has also closely studied the emotive Pushkin poem and brings special insights to the performers. A Berlin trademark is to sit with the singers on the first day of staging rehearsals and read the libretto, discussing character, motivation and plot – tackling the work as a theatrical piece as well as a musical one.

We are far along into the staging now, and have begun orchestra rehearsals as well. This Saturday we have the sitz probe rehearsal – the first time singers and orchestra are together – then move into the theatre on Monday. It is all coming together beautifully under the guidance of Jonathan Darlington and Pamela Berlin.

~ Jim Wright, General Director

Friday, November 7, 2008

If it's Friday, this must be Vancouver......

Okay, give me a second while I catch my breath. What city am I in? What time is it?? But seriously, last week was a bit of a nightmare – THREE performances of Don Giovanni (not a small role, by any stretch of the imagination), TWO flights from Toronto to Vancouver and ONE flight from Vancouver to Toronto. And all in seven days! (Just think of the air miles!)

But who’s tired? Not me! I LOVE it. I mean, to have the chance to sing/rehearse two of the greatest baritone roles ever written: who wouldn’t love it? I must admit, though, that singing both Giovanni and Onegin in the same week had me feeling rather “bi-polar”.

As Jim says, there’s a rather odd symmetry to all of this. I remember fondly our production of Giovanni here (with Jonathan at the helm) almost three years ago. I feel blessed to have been part of such a talented cast and creative team for my first essay of what I HOPE will become a signature role for me. Giovanni is NOT a simple character to understand and rarely (I feel) does a singer get it “right” the first time. I certainly don’t feel I did – but thanks to Jonathan and our wonderful director, Michael Cavanagh, I was certainly put on the right path to figuring out this complex character. Of course I realised this at the time, but that realisation was reinforced last month when I donned Giovanni’s cloak and hat for the opening of the Canadian Opera Company’s new season. And although I feel that time has deepened (and altered) my interpretation of the role, I will be forever thankful that I was first given the opportunity to shake hands with this rather enigmatic seducer here in Vancouver. Thanks, Jim.

And now, it’s payback time: I have the pleasure of introducing Onegin – a character I first met in Toronto - to Vancouver audiences! What a gift for me to be able to re-examine this role with the help of Jonathan and our wonderfully insightful (and patient) director, Pam Berlin. This week has been, simply, a joy from start to finish. Not only are Pam and Jonathan the best in their fields, but Jim has put together a stellar international cast – and I am proud to share the stage with such ridiculously talented people. I really think you’re in for a treat.

You know, when I’m not in Vancouver, I always tell people how much I enjoy working here. But I am STILL overwhelmed at (and, in truth, forget) JUST how much I enjoy it! As some of you may know (and remember), I got my professional start in Vancouver in 1993 – 15 years ago! – singing Papageno. A lot has happened to me since then – some good, some bad – and I’ve changed and, I hope, grown over the years, but the one “constant” during that time has been my relationship with Vancouver Opera. Each time I arrive here to start rehearsals, I feel like I’m coming home. Thank you all for being such fans of this company and of us, the performers. It makes the plane rides, the jetlag and the ridiculous schedules we inflict on ourselves all worth while.

See you at Onegin. I promise I will have caught my breath by then!

~ Brett Polegato

Thursday, November 6, 2008

CBC 2 at 1pm on Sunday Afternoon in Concert

Hey Gang, tune in on Sunday at 2pm to CBC Radio 2 to hear Les Dala, VO's Chorus Director as he guest hosts the show! Les has been shuttling back and forth between the CBC studios and Eugene Onegin rehearsals this week to get the show ready, so tune in to see how it turns out!

Now all we have to do is get Jonathan Darlington or Jim Wright to host something and we'll have a hat trick! Doug Tuck guest hosted Saturday afternoon at the Opera awhile back. See old blog entries to details.

Julie Nesrallah, who has sung with VO many times, now hosts Tempo from 10 to 3 Monday through Friday. So there's another VO connection to Radio2. Our goal, of course is to have a VO person on every day of the week.

Over on Radio 1 Jian Gomeshi's show Q had mezzo-soprano Marion Newman on a few weeks ago talking about diversity in the arts. Marion sang the Third Lady in our ground-breaking 2007 production of The Magic Flute, which we created with First Nations artists and designers.

So what do you think of the changes on CBC? Let us know by posting comments below!

Overture 08 Volunteer Call to Action!


In efforts to contain costs for our special events, Caroline and I are pleased to announce that we will be hosting a Floral Arrangement morning in the boardroom on Friday, November 21 from 10:00am to 12:00 noon. West Van Florist head designer will be on site assisting us with what at first blush appears an ominous task – stringing 180 dendrobium orchids onto silver wire!

These orchid “leis” will later in the day be gently suspended among tiger wood branches, pearls and crystal ultimately becoming the centrepieces for each table at Overture: White Nights in St. Petersburg, taking place on stage at the QET the same evening.

If you want to help, please let Caroline or I know.

We will also need volunteers for the night of November 21st:

on site at the theatre from 1:00pm onward to set up and dress the tables
finish and place the centrepieces
place sponsor signage and arrange live auction displays
greet our guests upon arrival
sell raffle tickets during dinner
strike tables and linens post event.

Again, if you are able to assist or know of others who might like to get involved with a great cause, please let us know.

Thanks so much!

Gail Johnson & Caroline Hay, Special Events
604-331-4831 (Gail)
604-331-4850 (Caroline)
gjohnson@vancouveropera.ca
chay@vancouveropera.ca

Tuesday, November 4, 2008

Tuesday Trivia: There's No Place Like Home


Calling all friends of Dorothy, try this week's quiz: There's No Place Like Home.
Match the opera house to the hometown, and post your answers in our discussion page in the comments section. Guess, cheating and snarky comments appreciated. Answers posted Thursday.

Quiz # 14 - There's No Place Like Home
Match the opera houses to the cities in which they are located.

1. Queen Elizabeth Theatre
2. Royal Opera House, Covent Garden
3. Teatro alla Scala
4. War Memorial Opera House
5. Teatro la Fenice
6. Theatre Royal de la Monnaie
7. Metropolitan Opera House
8. Palais Garnier
9. Mariinsky Theatre
10. Teatro Real